– Dunbar-Nelson A. M.
People of Color in Louisiana // Creole: The History and Legacy of Louisiana’s Free People of Color / S. Kein (ed.). Baton Rouge: Louisiana State University Press, 2000.– Dunford M.
The Rough Guide to New York City. N. Y.; L.; Delhi: Rough Guides, 2009.– Echols A.
Scars of Sweet Paradise: The Life and Times of Janis Joplin. N.Y.: Holt Paperbacks, 1999.– Ecklund P.
Louis Armstrong and the Origins of Jazz Improvisation // Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions / H. T. Weiner (ed.). Lanham; Toronto; Plymouth: Scarecrow Press, Inc., 2009.– Edwards P.
The Concise Guide to Hip-Hop Music. N. Y.: St. Martin’s Press, 2015.– Edwards P.
How to Rap: The Art and Science of the Hip-Hop MC. Chicago: Chicago Review Press, 2009.– Edwards P.
How to Rap 2: Advanced Flow and Delivery Techniques. Chicago: Chicago Review Press, 2013.– Egan S
. The Clash: The Only Band That Mattered. Lanham; N.Y.; L.: Rowman & Littlefield, 2015.– Encyclopedia of the Blues
/ E. Komara (ed.). N. Y.; L.: Routledge, 2006.– Eksteins M
. Rites of Spring: The Great War and the Birth of the Modern Age. N.Y.; Boston: Mariner Books, 1989.– Ellis G.
I Should Have Known Better: A Life in Pop Management – The Beatles, Brian Epstein and Elton John. L.: Thorogood, 2005.– Encyclopedia of the Jazz Age
: From the End of World War I to the Great Crash / James Ciment (ed). N. Y.: Sharpe Reference, 2013.– Ennis P. H.
The Seventh Stream: The Emergence of Rocknroll in American Popular Music. Hanover: Wesleyan University Press, 1992.– Everett W.
The Beatles as Musicians: The Quarry Men through Rubber Soul. N. Y.: Oxford University Press, 2001.– Everett W.
The Beatles as Musicians: Revolver through the Anthology. N. Y.; Oxford: Oxford University Press, 1999.– Faulkner R. R., Becker H. S.
«Do you know?..»: The Jazz Repertoire in Action. Chicago; L.: The University of Chicago Press, 2009.– Fay L. E.
Shostakovich: A Life. Oxford; N. Y.: Oxford University Press, 2000.– Feenberg A., Freedman J.
When Poetry Ruled the Streets: The French May Events of 1968. Albany: State University of New York Press, 2001.– Feisst S.
Schoenberg reception in America, 1933–51 // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010.– Feisst S.
Schoenberg’s New World: The American Years. Oxford; N. Y.: Oxford University Press, 2011.– Fink R.
Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley; Los Angeles: University of California Press, 2005.– Fischer J. M.
Gustav Mahler. New Haven; L.: Yale University Press, 2011.– Floros C.
Alban Berg: Music as Autobiography. Frankfurt am Main: Peter Lang, 2014.– Floros C.
Gustav Mahler, Visionary and Despot: Portrait of A Personality. Frankfurt am Main: Peter Lang, 2012.– Flür W.
Ich war ein Roboter: Electric Drummer bei Kraftwerk. Fuego, 2013. – Folk / Richard Carlin (ed.). N. Y.: Facts On File, 2006.– Fox C.
Kings of Jazz: Fats Waller. N. Y.: Perpetua Books, 1961.– Franklin P.
Strauss and His Contemporaries: Critical Perspectives // The Richard Strauss Companion / M.– D. Schmid (ed.). Westport: Praeger Publishers, 2003.– Freedland M.
Elvis Memories: The Real Presley by Those Who Knew Him. L.: The Robson Press, 2013.– Friedlander P.
Rock and Roll: A Social History. N.Y.: Westview Press, 1996.– Friedan B
. The Feminine Mystique. N.Y.: Dell Publishing, 1974.– Frisch W.
German Modernism: Music and the Arts. Berkeley; L. A.: University of California Press.– Frisch W.
Schoenberg’s lieder // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010.– Frith S., McRobbie A.
Rock and Sexuality // On Record: Rock, Pop, and the Written Word / S. Frith, A. Goodwin (eds.). N. Y.: Routledge, 1990.– Frith S.
Music and Everyday Life // Cultural Study of Music: A Critical Introduction / M. Clayton, T. Herbert, R. Middleton (eds.). N. Y.; L.: Routledge, 2003.– Frith S
. Performing Rites: On the Value of Popular Music. Cambridge: Harvard University Press, 1996.– Frith S.
Sound Effects: Youth, Leisure, and the Politics of Rock ‘N’ Roll. N. Y.: Pantheon Books, 1978, 1981. – From Pac-Man to Pop Music: Interactive Audio in Games and New Media / K. Collins (ed.). Farnham: Ashgate, 2008.– Gail D.
Weird American Music: Case Studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music. Heidelberg: Universitätsverlag Winter, 2018.– Gair C.
The Beat Generation: A Beginner’s Guide. Oxford: Oneworld, 2008.