Грандиозная история музыки XX века

– Holmstrom J. Ramones (Interview) // Punk: The Original / J. Holmstrom (ed.). N.Y.: Trans- High Publishing Corp., 1996.

– Holt F. Genre in Popular Music. Chicago; L.: The University of Chicago Press, 2007.

– Horn D. The Identity of Jazz // The Cambridge Companion to Jazz / M. Cooke, D. Horn (eds.). N. Y.: Cambridge University Press, 2002.

– Horton D. The Dialogue of Courtship in Popular Song // On Record: Rock, Pop, and the Written Word / S. Frith, A. Goodwin (eds.). N. Y.: Routledge, 1990.

– Hoskyns B. Glam! Bowie, Bolan and the Glitter Rock Revolution. L.: Backpages, 2011.

– Howes K. K. Harlem Renaissance. Detroit; San Francisco; Boston; Woodbridge; L.: UXL, 2001.

– Hubs N. Rednecks, Queers, and Country Music. Berkeley: University of California Press, 2014.

– Hull G. P. The Recording Industry. N. Y.; L.: Routledge, 2004.

– Hulme T. Speculations: Essays on Humanism and the Philosophy of Art. London: Routledge, 1924.

– Hugill A. The Origins of Electronic Music / The Cambridge Companion to Electronic Music // N. Collins, J. d’Escriván (eds.). N. Y.: Cambridge University Press, 2007.

– Huxley D. ‘Ever Get the Feeling You’ve Been Cheated?’: Anarchy and control in the Great Rock ’n’ Roll Swindle // Punk Rock: So What? The Cultural Legacy of Punk / R. Sabin (ed.). L., N.Y.: Routledge, 1999.

– Iddon M. New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez. Cambridge: N. Y.: Cambridge University Press, 2013.

– Ind P. Jazz Visions: Lennie Tristano and His Legacy. L.; Oakville: Equinox, 2005.

– Isacoff S. A Natural History of the Piano: The Instrument, the Music, the Musicians – from Mozart to Modern Jazz, and Everything in Between. N. Y.: Alfred A. Knopf, 2011.

– Isacoff S. Thelonious Monk. N.Y.; L.; Sydney; Cologne: Amsco Publications, 1978.

– Issitt M. L. Hippies: A Guide to an American Subculture. Santa Barbara: Greenwood Press, 2009.

– Jacobs T. Review of The Velvet Underground and Nico // All Yesterdays’ Parties. The Velvet Underground in Print: 19661971 / C. Heylin (ed.). Cambridge: Da Capo Press, 2005.

– Jackson J. A. Big Beat Heat: Alan Freed and the Early Years of Rock & Roll. N.Y.: Schirmer/Macmillan, 1991.

– Jackson J. A. A House on Fire: The Rise and Fall of Philadelphia Soul. Oxford; N. Y.: Oxford University Press, 2004.

– Jaeger P. John Cage and Buddhist Ecopoetics. L.; N. Y.: Bloomsbury, 2013.

– Jarman D. Alban Berg: Wozzeck. Cambridge; N. Y.: Cambridge University Press, 1989.

– Järvinen H. Dancing Genius: The Stardom of Vaslav Nijinsky. Houndmills; N. Y: Palgrave Macmillan, 2014. P – Judd C. C. Renaissance Modal Theory: Theoretical, Compositional, and Editorial Perspectives // The Cambridge History of Western Music Theory / Th. Christensen (ed.). Cambridge: Cambridge University Press, 2002.

– Jaffe A. Jazz Harmony. Tübingen: Advance Music, 1996.

– James B. Kings of Jazz: Bix Beiderbecke. N. Y.: A. S. Barnes and Company, Inc., 1961.

– Jarman-Ivens F. Notes on Musical Camp // The Ashgate Research Companion to Popular Musicology / D. B. Scott (ed.). Farnham: Ashgate, 2009.

– Jasen D. A., Jones G. Black Bottom Stomp: Eight Masters of Ragtime and Early Jazz. N. Y.; Abingdon: Routlege, 2002.

– Jefferson T. Cultural Responses of the Teds // Resistance Through Rituals: Youth Subcultures in Post- war Britain / S. Hall, T. Jefferson (eds.). L.; N. Y.: Routledge, 1991.

– Jeffries M. P. Thug Life: Race, Gender, and the Meaning of HipHop. Chicago; L.: The University of Chicago Press, 2011.

– Jenkins T. S. I Know What I Know: The Music of Charles Mingus. Westport; L.: Praeger, 2016. – The Jim Crow Encyclopedia / N. L. M. Brown, B. M. Stentiford (eds.). Westport; L.: Greenwood Press, 2008.

– Johnson J. Schoenberg, modernism, and metaphysics // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010.

– Jones L. (Amiri Baraka). Blues People: Negro Music in White America. N. Y.: Perennial, 2002.

– Jones R., Bego M. Macho Man: The Disco Era and Gay America’s ‘‘Coming Out’’. Westport: Praeger, 2009.

– Jones S. Black Culture, White Youth: The Reggae Tradition from JA to UK. Houndmills; L.: Macmillan Education, 1988.

– Jordan W. Galileo and the Demise of Pythagoreanism // Music and Science in the Age of Galileo / V. Coelho (ed.). Dordrecht: Kluwer Academic, 1992.

– Kaler M. How the Grateful Dead Learned to Jam // Reading the Grateful Dead: A Critical Survey / N. G. Meriwether (ed.). Lanham: Scarecrow Press, 2012.

– Kajikawa L. Sounding Race in Rap Songs. Oakland: University of California Press, 2015.

– Kallis V. Principles of Pitch Organization in Scriabin’s Early Post- tonal Period: The Piano Miniatures // MTO. V. 14. N. 3. September 2008.