Guy Mannering or The Astrologer

'P.S.―You will naturally wish to know if I have the least guess concerning the person of the serenader. In truth, I have none. There is no young gentleman of these parts, who might be in rank or fortune a match for Miss Julia, that I think at all likely to play such a character. But on the other side of the lake, nearly opposite to Mervyn Hall, is a d―d cake-house, the resort of walking gentlemen of all descriptions―poets, players, painters, musicians―who come to rave, and recite, and madden about this picturesque land of ours. It is paying some penalty for its beauties, that they are the means of drawing this swarm of coxcombs together. But were Julia my daughter, it is one of those sort of fellows that I should fear on her account. She is generous and romantic, and writes six sheets a week to a female correspondent; and it's a sad thing to lack a subject in such a case, either for exercise of the feelings or of the pen. Adieu, once more. Were I to treat this matter more seriously than I have done, I should do injustice to your feelings; were I altogether to overlook it, I should discredit my own.'

The consequence of this letter was, that, having first despatched the faithless messenger with the necessary powers to Mr. Mac-Morlan for purchasing the estate of Ellangowan, Colonel Mannering turned his horse's head in a more southerly direction, and neither 'stinted nor staid' until he arrived at the mansion of his friend Mr. Mervyn, upon the banks of one of the lakes of Westmoreland.

CHAPTER XVII

Heaven first, in its mercy, taught mortals their letters,

For ladies in limbo, and lovers in fetters,
Or some author, who, placing his persons before ye,
Ungallantly leaves them to write their own story.

POPE, imitated. 

When Mannering returned to England, his first object had been to place his daughter in a seminary for female education, of established character. Not, however, finding her progress in the accomplishments which he wished her to acquire so rapid as his impatience expected, he had withdrawn Miss Mannering from the school at the end of the first quarter. So she had only time to form an eternal friendship with Miss Matilda Marchmont, a young lady about her own age, which was nearly eighteen. To her faithful eye were addressed those formidable quires which issued forth from Mervyn Hall on the wings of the post while Miss Mannering was a guest there. The perusal of a few short extracts from these may be necessary to render our story intelligible.

FIRST EXTRACT

'Alas! my dearest Matilda, what a tale is mine to tell! Misfortune from the cradle has set her seal upon your unhappy friend. That we should be severed for so slight a cause―an ungrammatical phrase in my Italian exercise, and three false notes in one of Paisiello's sonatas! But it is a part of my father's character, of whom it is impossible to say whether I love, admire, or fear him the most. His success in life and in war, his habit of making every obstacle yield before the energy of his exertions, even where they seemed insurmountable―all these have given a hasty and peremptory cast to his character, which can neither endure contradiction nor make allowance for deficiencies. Then he is himself so very accomplished. Do you know, there was a murmur, half confirmed too by some mysterious words which dropped from my poor mother, that he possesses other sciences, now lost to the world, which enable the possessor to summon up before him the dark and shadowy forms of future events! Does not the very idea of such a power, or even of the high talent and commanding intellect which the world may mistake for it,―does it not, dear Matilda, throw a mysterious grandeur about its possessor? You will call this romantic; but consider I was born in the land of talisman and spell, and my childhood lulled by tales which you can only enjoy through the gauzy frippery of a French translation. O, Matilda, I wish you could have seen the dusky visages of my Indian attendants, bending in earnest devotion round the magic narrative, that flowed, half poetry, half prose, from the lips of the tale-teller! No wonder that European fiction sounds cold and meagre, after the wonderful effects which I have seen the romances of the East produce upon their hearers.'

SECOND EXTRACT