Haiti Noir

And now Rosanna was gone. And suddenly the trash heap at the mouth of the slum that she had long ignored, a slum that was as much part of her neighborhood as the hilly houses of her closer neighbors, was much more visible to her. And when she rolled down the window of the Mercedes, she could clearly see in the distance this smoldering garbage heap where Rosanna had been dumped like refuse. The smell of decay in the air suddenly irritated her. Barely able to walk, Solange leaned on her neighbor’s shoulder as she left the car and moved toward the trash heap. Surely there would be an investigation, some press, some sympathy. And then, just as her philosopher neighbor had said, the mystery of Rosanna’s death would remain unsolved, like so many other mysteries in Port-au-Prince, whether in the slums or fancier neighborhoods. She tried to gather what was left of her courage just to keep walking through the mud and piles of trash. Then, all at once, they saw Rosanna.

“Jesus, Marie, Joseph,” she gasped.

Rosanna was as naked as the day she was born. Her body was covered with scratch marks, cuts, even what seemed like burns. Her face was swollen, her eyes gouged out, leaving two fleshy gashes. There were lines of dried blood on both sides of her mouth, which remained open, as though midscream.

Solange crumpled to the ground, her knees digging into the grime that was now cradling her niece, her beautiful niece.

“She fought,” Solange told those who attended Rosanna’s closed-casket funeral a week later. “She fought very hard for her life and her honor. Now it is our turn to fight for our lives and our honor.”

Solange had hoped that her private grief would somehow inspire a different resolution for Rosanna. She had hoped that her pleas to the authorities, to the press, would inspire someone to come forward to either deliver the killer or vow to at least try.

At the funeral, her philosopher neighbor sat discreetly in the back next to Davernis, who was waiting to follow the hearse in the Mercedes and return Solange home after the funeral. He had grown up with Rosanna, yet he could not allow himself to grieve as openly as Solange or even the throng of the girl’s mother’s relatives, who had heard about her death on the radio and had flocked to the funeral in Port-au-Prince to tell the stories about her mother that Rosanna had set out to Les Cayes hoping to hear.

“Ah, fate,” the philosopher neighbor sighed after one such speech from Rosanna’s maternal line.

“Indeed, mesye,” replied Davernis, who would never forgive himself for what had happened. He would also never forgive his collaborator, who had lost him such an important payday simply by lusting over the privileged flesh of some young bourgeois girl. Now they would have no choice but to try again. This time, the aunt.

MALOULOU BY MARIE LILY CERAT

Martissant

Stay up long enough between midnight and three a.m. any day and you will hear Maloulou. But be careful to never run into her. Everyone in Lakou 22 knew this. Noises in the night defined that yard: husbands, young men, and prostitutes who caused old doors to creak while coming in some nights; lougawou, werewolves that turned skin inside out and jumped about loudly on tin ceilings, eyeing little children for future repasts; noise there always was. But the sounds of Maloulou were unique. With precision, many could reproduce the footsteps mixed with a light clinking of chains: clink, clap, clink, clap, clink-clap: sometimes coming and sometimes going. It even seemed a mark of honor to wake up and recount hearing Maloulou. Older stories about Maloulou that had been abandoned would resurface some nights when the folktales of Bouki and Malis could not be stretched any further. There was the broad cassava-colored hat over an invisible head, going clink, clap a hundred years or so ago after the first African slaves disembarked on the island.

“Don’t worry, Ghislaine, Lakou 22 came with Maloulou,” Destin and Madame Destin, the very first residents to build shacks at the entrance of the yard, told my mother one morning soon after we moved there. Darkness did not worry my mother, but Maloulou would. My mother had braved the dark streets for as long as I could remember before retreating to her own cinder block-mounted bed, hidden behind the paisleyprint curtain to protect me from the parade of visitors whose fees paid for our shack, my school, our food and clothing. In some ways, I was my mother’s daughter; I was never afraid of the dark.