When a convenience store robbery goes horribly wrong the three young men who perpetrated the crime make a run for it. Hotly pursued by the police they crash into the suburban home of an accountant and take the family hostage, and before they know it, an armed siege ensues. This is the last thing the local sheriff wanted after all, he left the force in L.A. because of the stress, and this is about as stressful as it gets. But the gang have chosen the wrong accountant to hold hostage. He works for the Mafia and he holds all the local Family's financial records. Soon the mob are on the scene and a nightmarish, high tension three way stand off develops.
Триллер18+Robert Crais
Hostage
PROLOGUE
The man in the house was going to kill himself. When the man threw his phone into the yard, Talley knew that he had accepted his own death. After six years as a crisis negotiator with the Los Angeles Police Department's SWAT team, Sergeant Jeff Talley knew that people in crisis often spoke in symbols. This symbol was clear: Talk was over. Talley feared that the man would die by his own hand, or do something to force the police to kill him. It was called suicide by cop. Talley believed it to be his fault.
'Did they find his wife yet?'
'Not yet. They're still looking.'
'Looking doesn't help, Murray. I gotta have something to give this guy after what happened.'
'That's not your fault.'
'It is my fault. I blew it, and now this guy is circling the drain.'
Talley crouched behind an armored command vehicle with the SWAT commander, a lieutenant named Murray Leifitz, who was also his negotiating team supervisor. From this position, Talley had spoken to George Donald Malik through a dedicated crisis phone that had been cut into the house line. Now that Malik had thrown his phone into the yard, Talley could use the public address megaphone or do it face-to-face. He hated the megaphone, which made his voice harsh and depersonalized the contact. The illusion of a personal relationship was important; the illusion of trust was everything. Talley strapped on a Kevlar vest.
Malik shouted through the broken window, his voice high and strained.
'I'm going to kill this dog! I'm going to kill it!' Leifitz leaned past Talley to peek at the house. This was the first time Malik had mentioned a dog. 'What the fuck? Does he have a dog in there?'
'How do I know? I've got to try to undo some of the damage here, okay? Ask the neighbors about the dog. Get me a name.'
'If he pops a cap, we're going in there, Jeff. That's all there is to it.'
'Just take it easy and get a name for the dog.' Leifitz scuttled backward to speak with Malik's neighbors.
George Malik was an unemployed housepainter with too much credit card debt, an unfaithful wife who flaunted her affairs, and prostate cancer. Fourteen hours earlier, at two-twelve that morning, he had fired one shot above the heads of the police officers who had come to his door in response to a disturbance complaint. He then barricaded the door and threatened to kill himself unless his wife agreed to speak to him. The officers who secured the area ascertained from neighbors that Malik's wife, Elena, had left with their only child, a nine-year-old boy named Brendan. As detectives from Rampart Division set about locating her, Malik threatened suicide with greater frequency until Talley was convinced that Malik was nearing the terminal point. When the Rampart detectives reported what they believed to be a solid location obtained from the wife's sister, Talley took a chance. He told Malik that his wife had been found. That was Talley's mistake. He had violated a cardinal rule of crisis negotiation: He had lied, and been caught. He had made a promise that he had been unable to deliver, and so had destroyed the illusion of trust that he had been building. That was two hours ago, and now word had arrived that the wife had still not been found.
'I'm gonna kill this fuckin' dog, goddamnit! This is her goddamned dog, and I'm gonna shoot this sonofabitch right in the head, she don't start talkin' to me!'
Talley stepped out from behind the vehicle. He had been on the scene for eleven hours. His skin was greased with sweat, his head throbbed, and his stomach was cramping from too much coffee and stress. He made his voice conversational, yet concerned.
'George, it's me, Jeff. Don't kill anything, okay! We don't want to hear a gun go off.'
'You liar! You said my wife was gonna talk to me!'
It was a small stucco house the color of dust. Two casement windows braced the front door above a tiny porch. The door was closed, and drapes had been pulled across the windows. The window on the left was broken from the phone. Eight feet to the right of the porch, a five-member SWAT Tactical Team hunkered against the wall, waiting to breach the door. Malik could not be seen.
'George, listen, I said that we'd found her, and I want to explain that. I was wrong. We got our wires crossed out here, and they gave me bad information. But we're still looking, and when we find her, we'll have her talk to you.'
'You lied before, you bastard, and now you're lying again. You're lying to protect that bitch, and I won't have it. I'm gonna shoot her dog and then I'm gonna blow my brains out.'
Talley waited. It was important that he appear calm and give Malik the room to cool. People burned off stress when they talked. If he could reduce Malik's level of stress, they could get over the hump and still climb out of this.
'Don't shoot the dog, George. Whatever's between you and your wife, let's not take it out on the dog. Is it your dog, too?'