История искусства

Он же. Michelangelo: The Complete Sculpture (New York: Abrams, 1970)

Он же. Michelangelo Drawings (New York: Abrams, 1970)

О Сикстинской капелле см.: Charles Seymour, ed. Michelangelo: the Sistine Ceiling (New York: W.W. Norton, 1972)

Carlo Pietrangeli, ed. The Sistine Chapel: Michelangelo Rediscovered (London: Muller, Blond and White, 1986)

John Pope-Hennessy. Raphael (London: Phaidon, 1970)

Roger Jones, Nicholas Penny. Raphael (New Haven-London: Yale U.P., 1983)

Luitpold Dussler. Raphael: Kritisches Verzeichnis der Gemalde, Wandbilder und Bildteppiche (Munchen, 1966)

Paul Joannides. The Drawings of Raphael with a Complete Catalogue (Oxford: Phaidon, 1983)

О Станца делла Сеньятура см. статью в моей книге: Symbolic Images (London: Phaidon, 1972; 3-е изд., Oxford, 1985; переизд. London, 1995), pp. 85-101;

О Мадонне в кресле см. статью в моей книге: Norm and Form (London: Phaidon, 1966; 4-е изд., Oxford, 1985; переизд. London, 1995), pp. 64–80.

16 СВЕТ И ЦВЕТ

Deborah Howard. Jacopo Sansovino (New Haven-London: Yale U.P., 1975)

Bruce Boucher. The Sculpture of Jacopo Sansovino (2 vols., New Haven-London: Yale U.P., 1992)

Johannes Wilde. Venetian Art from Bellini to Titian (Oxford U.P., 1974)

Giles Robertson. Giovanni Bellini (Oxford U.P., 1968)

Terisio Pignatti. Giorgione: Complete Edition (London: Phaidon, 1971)

Harold Wethey. The Paintings of Titian (3 vols., London: Phaidon, 1969–1975)

Charles Hope. Titian (London: Jupiter, 1980)

Cecil Gould. The Paintings of Correggio (London: Faber, 1976)

A.T. Popham. Correggio's Drawings (London: British Academy, 1957)

17 РАСПРОСТРАНЕНИЕ НОВОГО СТИЛЯ

Erwin Panofsky. The Life and Art of Albrecht Durer (Princeton U.P., 1943; 4-е изд., 1955; переизд. 1971)

Nikolaus Pevsner, Michael Veier. Grunewald (London: Thames and Hudson, 1948)

G. Scheja. The Isenheim Altarpiece (Cologne: DuMont; New York: Abrams, 1969)

Max J. Friedlander. Die Gemalde von Lucas Cranach (Berlin: Deutscher Verein fur Kunstwissenschaft, 1932)

Walter S. Gibson. Hieronymus Bosch (London: Thames and Hudson, 1973) — см. также статью в моей книге: The Heritage of Apelles (Oxford: Phaidon, 1976; переизд. London, 1993), pp. 79–90.

R.H. Marijnissen. Hieronymus Bosch: The Complete Works (Antwerp: Tatard, 1987)

18 КРИЗИС ИСКУССТВА

James Ackerman. Palladio (Harmondsworth: Penguin, 1966)

John Sherman. Mannerism (Harmondsworth: Penguin, 1967)

John Pope-Hennessy. Cellini (London: Macmillan, 1985)

Sydney J. Freedberg. Parmigianino: His Works in Painting (2 vols., Cambridge, Mass.: Harvard U.P., 1950)

A.T. Popham. Catalogue of the Drawings of Parmigianino (3 vols., New Haven-London: Yale U.P., 1971)

Charles Avery. Giambologna (Oxford: Phaidon-Christie's, 1987; переизд. London: Phaidon, 1993)

Hans Tietze. Tintoretto: The Paintings and Drawings (London: Phaidon, 1948)

Harold E. Wethey. El Greco and his School (2 vols., Princeton U.P., 1962)

John Rowlands. Holbein: The Paintings of Hans Holbein the Younger (Oxford: Phaidon, 1985)

Roy Strong. The English Renaissance Miniature (London: Thames and Hudson, 1983) — статьи о Николасе Хильярде и Исааке Оливере.

Fritz Grossmann. Peeter Brueghel. Die Gemalde (Koln: Phaidon, 1955)

Ludwig Munz. Brueghel: The Drawings. Transl. from the German manuscript (London: Phaidon, 1961)

19 ВИДЕНИЕ И ВИДЕНИЯ

Rudolf Wittkower. Art and Architecture in Italy 1600–1750 (Harmondsworth: Penguin, 1958; 3-е изд., 1973)

Ellis Waterhouse. Italian Baroque Painting (London: Phaidon, 1962; 2-е изд., 1969)

Donald Posner. Annibale Carracci: A Study in the Reform of Italian Painting around 1590 (2 vols., London: Phaidon, 1971)

Walter Friedlander. Caravaggio Studies (Princeton U.P., 1955)

Howard Hibbard. Caravaggio (London: Thames and Hudson, 1983)

D. Stephen Pepper. Guido Reni: A Complete Catalogue of his Works with an Introductory Text (Oxford: Phaidon, 1984)

Anthony Blunt. The Paintings of Poussin (3 vols., London: Phaidon, 1966–1967)