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The place was silent. The rest of the team was here, Flick knew, but they would be asleep. She was familiar with the house and found two vacant rooms on the attic floor. She and Greta went gratefully to bed. Flick lay awake for a while, wondering how she would ever weld this bunch of misfits into a fighting unit, but she soon fell asleep.

She got up again at six. From her window she could see the estuary of the Solent. The water looked like mercury in the gray morning light. She boiled a kettle for shaving and took it to Greta's room. Then she roused the others.

Percy and Paul were first to arrive in the big kitchen at the back of the house, Percy demanding tea and Paul coffee. Flick told them to make it themselves. She had not joined SOE to wait on men.

"I make tea for you sometimes," Percy said indignantly.

"You do it with an air of noblesse oblige," she replied. "Like a duke holding a door for a housemaid."

Paul laughed. "You guys," he said. "You crack me up." An army cook arrived at half past six, and before long they were sitting around the big table eating fried eggs and thick rashers of bacon. Food was not rationed for secret agents: they needed to build up their reserves. Once they went into action, they might have to go for days without proper nourishment.

The girls came down one by one. Flick was startled by her first sight of Maude Valentine: neither Percy nor Paul had said how pretty she was. She appeared immaculately dressed and scented, her rosebud mouth accentuated by bright lipstick, looking as if she were off to lunch at the Savoy. She sat next to Paul and said with a suggestive air, "Sleep well, Major?"

Flick was relieved to see the dark pirate face of Ruby Romain. She would not have been surprised to learn that Ruby had run off in the night, never to be seen again. Of course, Ruby could then be rearrested for the murder. She had not been pardoned: rather, the charges had been dropped. They could always be picked up again. That ought to keep Ruby from disappearing, but she was as tough as a boot, and she might have decided to take the chance.

Jelly Knight looked her age, this early in the morning. She sat beside Percy and gave him a fond smile. "I suppose you slept like a top," she said.

"Clear conscience," he replied.

She laughed. "You haven't got a bloody conscience." The cook offered her a plate of bacon and eggs, but she made a face. "No, thank you, dear," she said. "I've got to watch my figure." Her breakfast was a cup of tea and several cigarettes.

When Greta came through the door, Flick held her breath.

She wore a pretty cotton dress with a small false bosom. A pink cardigan softened her shoulder line and a chiffon scarf concealed her masculine throat. She wore the short dark wig. Her face was heavily powdered, but she had used only a little lipstick and eye makeup. By contrast with her sassy on-stage personality, today she was playing the part of a rather plain young woman who was perhaps a little embarrassed about being so tall. Flick introduced her and watched the reactions of the other women. This was the first test of Greta's impersonation.

They all smiled pleasantly, showing no sign that they saw anything wrong, and Flick breathed easier.

Along with Maude, the other woman Flick had not met before was Lady Denise Bowyer. Percy had interviewed her at Hendon and had recruited her despite signs that she was indiscreet. She turned out to be a plain girl with a lot of dark hair and a defiant air. Although she was the daughter of a marquess, she lacked the easy self-confidence typical of upper-class girls. Flick felt a little sorry for her, but Denise was too charmless to be likable.

This is my team, Flick thought: one flirt, one murderess, one safebreaker, one female impersonator, and one awkward aristocrat. There was someone missing, she realized: the other aristocrat. Diana had not appeared. And it was now half past seven.

Flick said to Percy, "You did tell Diana that reveille was at six?"

"I told everyone."

"And I banged on her door at a quarter past." Flick stood up. "I'd better check on her. Bedroom Ten, right?"

She went upstairs and knocked at Diana's door. There was no response, so she went in. The room looked as if a bomb had hit it-a suitcase open on the rumpled bed, pillows on the floor, knickers on the dressing table-but Flick knew this was normal. Diana had always been surrounded by people whose job it was to tidy up after her. Flick's mother had been one of those people. No, Diana had simply gone off somewhere. She was going to have to realize that her time was no longer her own, flick thought with irritation.

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Захар Прилепин — прозаик, публицист, музыкант, обладатель премий «Большая книга», «Национальный бестселлер» и «Ясная Поляна». Автор романов «Обитель», «Санькя», «Патологии», «Чёрная обезьяна», сборников рассказов «Восьмёрка», «Грех», «Ботинки, полные горячей водкой» и «Семь жизней», сборников публицистики «К нам едет Пересвет», «Летучие бурлаки», «Не чужая смута», «Всё, что должно разрешиться. Письма с Донбасса», «Взвод».«И мысли не было сочинять эту книжку.Сорок раз себе пообещал: пусть всё отстоится, отлежится — что запомнится и не потеряется, то и будет самым главным.Сам себя обманул.Книжка сама рассказалась, едва перо обмакнул в чернильницу.Известны случаи, когда врачи, не теряя сознания, руководили сложными операциями, которые им делали. Или записывали свои ощущения в момент укуса ядовитого гада, получения травмы.Здесь, прости господи, жанр в чём-то схожий.…Куда делась из меня моя жизнь, моя вера, моя радость?У поэта ещё точнее: "Как страшно, ведь душа проходит, как молодость и как любовь"».Захар Прилепин

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