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Someone cheered, and was silenced. Everyone looked toward the fast-shut doors to the Great Hall, awaiting the Sun Prince.

Once, twice, thrice; from the far side, a spear-butt rapped upon the doors, and they fell open at the third blow with a shivering sound from the musicians' timbales.

He stood in the doorway: The Sun Prince.

He was a vision in cloth-of-gold, gilding his doublet and hosen, even his boots. His cloak was cloth-of-gold, falling to sweep the parquet floor as he entered. The mask of a smiling youth, gleaming with gold leaf, hid his face, and its rays hid his head. I heard murmurs and speculation as he strode the length of the colonnade, gilded spear in hand.

At the head of it, he bowed; but as he rose, so did the head of his spear, sweeping up to touch the breast of the Winter Queen. Bowing her head, she let fall her blackthorn staff. It clattered in the silence. With both hands, she raised her mask and swept the wig from her head, shrugging free of her encumbering rags and shawl.

I gasped, for the Winter Queen was young and beautiful, and she was Suriah.

But the masque was not done.

The Sun Prince dropped to one knee, grasping the hand of the Winter Queen. In one swift motion, he drew forth a ring and thrust it upon her finger; harshly, for I saw her wince. He rose, then, grasping her hand, and turned to face the crowd. When he lifted his mask, we saw: It was Prince Baudoin.

After a brief, indrawn breath of surprise, the Night’s Crier swung his baton and struck the gong a resounding blow, letting the tocsin give shuddering voice to the New Year, and the trumpets leapt into the void of silence with a brassy shout, proclaiming joy to all. And in that indrawn moment of surprise, the celebrants found their breath, shouting with the trumpets, hailing the derring of one drunken young Prince of the Blood. And then the exhausted musicians found a new surge of energy, and their maestro tapped his toe, and they swung into a lively tune.

Somehow, amidst it all, my gaze settled on Anafiel Delaunay. He was watching them; lovely and bewildered Suriah, her ringed hand held aloft by the Prince, with his wild, gleaming eyes; and behind the wise, rustic mask of Faunus, Delaunay’s features were composed and thoughtful.

Such was my introduction to politics.

<p>Chapter Six</p>

After the Midwinter Masque, you may be sure, the weeks could not pass quickly enough for me until my tenth birthday. Now more than ever, I was without place in Cereus House; no longer fit for the nursery, but too young for the fosterlings and apprentices, among whom I was never to be numbered anyway.

The house was abuzz with the events of the masque, seeing in Prince Baudoin’s audacity the portent of a return to days of yore, when the scions of Elua freely sought pleasure and counsel of the Servants of Naamah. This much I learned: Baudoin was nephew to the King, by way of his royal sister, the Princess Lyonette, who was wed to Marc, Duc de Trevalion. He was only nineteen, and had earned a name for wildness at the University of Tiberium, where he had been suspended for unnamed escapades.

Beyond this, I knew little. Hyacinthe told me that it was rumored in Night’s Doorstep that there had been, unlikely as it seemed, two wagers placed on Baudoin de Trevalion to play the role of the Sun Prince, and no one-not even he-knew into whose pocket the considerable sums had been paid. Other than this, there had been much money lost, and the backers at the countinghouses had grown fat on this Longest Night.

When the chill of winter began to give grudging way to the moist warmth of spring and the faintest haze of pale green clung to the branches, I turned ten.

For children of the Night Court, this was a grand and solemn occasion. It is upon this day that one moves out of the nursery, and into the fosterlings' quarter to live side by side with those favored apprentices who have come of age and been initiated into the mysteries of Naamah, who it is said will whisper secrets in the small hours of the night of the training they have begun. One takes the name of one’s household and there is a celebration, with watered wine, and the ceremonial breaking of a honey-cake, which is shared by the adepts of one’s House.

I was accorded none of this.

Instead, as before, I was sent to attend in the Dowayne’s receiving room, where I once again knelt abeyante upon the cushion. Anafiel Delaunay was there, and the Dowayne, and Jareth, her Second. She had grown older and querulous, and I noted from beneath my lashes how her hand shook as she held the papers to review.

"Everything is in order," Jareth said soothingly, patting her hand. He cast an impatient glance toward the doorway, where the Chancellor of the House lurked with the official guild seal. "You have but to sign, and Phèdre has leave to go with my lord Delaunay."

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Kushiel’s Dart
Kushiel’s Dart

The land of Terre d'Ange is a place of unsurpassing beauty and grace. It is said that angels found the land and saw it was good… and the ensuing race that rose from the seed of angels and men live by one simple rule: Love as thou wilt.Phèdre nó Delaunay is a young woman who was born with a scarlet mote in her left eye. Sold into indentured servitude as a child, her bond is purchased by Anafiel Delaunay, a nobleman with very a special mission…and the first one to recognize who and what she is: one pricked by Kushiel's Dart, chosen to forever experience pain and pleasure as one.Phèdre is trained equally in the courtly arts and the talents of the bedchamber, but, above all, the ability to observe, remember, and analyze. Almost as talented a spy as she is courtesan, Phèdre stumbles upon a plot that threatens the very foundations of her homeland. Treachery sets her on her path; love and honor goad her further. And in the doing, it will take her to the edge of despair…and beyond. Hateful friend, loving enemy, beloved assassin; they can all wear the same glittering mask in this world, and Phèdre will get but one chance to save all that she holds dear.Set in a world of cunning poets, deadly courtiers, heroic traitors, and a truly Machiavellian villainess, this is a novel of grandeur, luxuriance, sacrifice, betrayal, and deeply laid conspiracies. Not since Dune has there been an epic on the scale of Kushiel's Dart-a massive tale about the violent death of an old age, and the birth of a new.

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