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“What’s going on?” Ursula demanded. “And you—” she said to the television cameraman who had wandered over to see what was happening “—get the hell off this bank before I run you.” He raised his free hand in a gesture of submission and beat a hasty retreat back to his van. Ursula turned to the crew. “Now, somebody tell me quick what’s going on here.”

Several of them responded at once: “Rachel fell into the drain—”

“We had to pull her out—”

“I was concentrating on what I was doing,” the girl said. “I accidentally stepped off the end of the plank. I didn’t ask anyone to rescue me.”

Ursula’s tone was incredulous. “I can’t believe you’re all in such a state about having to pull someone out of a drain. For Christ’s sake—”

“It’s not that,” said the young woman who’d called them over. She stepped aside and pointed to the corner of the cutting. “We nearly stepped on him trying to get Rachel out.”

Looking toward the spot the girl had indicated, Nora could just discern the outline of a distorted face. She dropped to her knees beside the cutaway for a closer look, and it took a moment for the totality of the terrible image to sink in. The skin was dark brown and the features slightly flattened, the nose smashed to one side, but the eye sockets, skull vault, and jawline clearly marked it as human. One skeletal, clawlike hand was curled into a fist and raised above the head, as though he’d been submerged and was trying to come up for a breath of air.

Ursula heaved an exasperated sigh. “You must be coddin’ me. Two bloody Iron Age bog men in the space of a week.”

“I wouldn’t jump to any conclusions,” Nora said, looking up into the circle of anxious faces peering down at her. “This man seems to be wearing a wristwatch.”

3

Detective Liam Ward had just set the phone in its cradle when he noticed the fresh drops of blood staining his shirt front. The plaster he’d applied to the shaving cut on his throat had evidently come loose. He didn’t really have time for this; the phone call had been from the duty officer, ringing with news that another body, the second in as many weeks, had just turned up at Loughnabrone Bog. The first had been officially declared at least five hundred years old, but this one looked as though it might be modern. Whatever the circumstances, it wouldn’t do to have the detective in charge show up looking as if he’d just been in a brawl. He stripped off his shirt and went into the bathroom to clean the cut and apply another plaster. When he returned to his bedroom, the bloodstained garment lay crumpled on the bed. Like evidence from a crime scene, he thought, more mindful this time of the plaster as he buttoned his collar.

Lugh seemed restless. Perhaps it was something to do with the smell of blood. As Ward put the knot in his tie, he glimpsed the dog pacing down the hall and into the kitchen, setter’s plumelike tail on alert, nails beating an anxious tattoo on the tile floor. For some reason the sound reminded Ward of his mother. He remembered the noise of her high-heeled shoes on the same floor, as she tried in vain to convince him to leave this house on the day after his wife’s funeral. Of course he hadn’t left, but had stayed on, anchored by memories, by the stones in the garden. He knew his mother thought he’d been relieved of a great burden when Eithne died. Could it already be eleven years this summer since his wife had walked down the riverbank, her pockets laden with dozens of small stones from their own garden, never intending to come up for air? He could see the stones: black, gray, white, pink, their smooth and rounded shapes. He’d put them out only a week earlier, to help keep the weeds down around the roses. He pictured Eithne at the edge of the grass, down on her knees but long past any hope of prayer, selecting the stones one by one and slowly filling the pockets of her dark green raincoat. He could imagine her performing that simple act, but he could go no further. Her final moments were obscure and inaccessible to him. They’d returned the stones with her personal effects after the inquest. He couldn’t bring himself to put them back in the garden. It seemed wrong somehow, or perhaps just bad luck, so he’d flung them back into the river where they belonged.

He’d met Eithne at a spring wedding. One of his younger colleagues had taken the plunge. He remembered how the young sergeant and his friends had all slagged him as a perennial bachelor. Up to that point, he had never found anyone who had moved him enough—until the moment he’d glimpsed a wondrous creature playing a harp in the corner at the wedding dinner. He’d been struck at once by her sorrowful eyes, but above all by the dignity in her bearing, the graceful way she moved. She had seemed so regal, so self-contained, and he was a man who noticed such things.

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Когда Роуэн Кейн случайно видит объявление о поиске няни, она решает бросить вызов судьбе и попробовать себя на это место. Ведь ее ждут щедрая зарплата, красивое поместье в шотландском высокогорье и на первый взгляд идеальная семья. Но она не представляет, что работа ее мечты очень скоро превратится в настоящий кошмар: одну из ее воспитанниц найдут мертвой, а ее саму будет ждать тюрьма.И теперь ей ничего не остается, как рассказать адвокату всю правду. О камерах, которыми был буквально нашпигован умный дом. О странных событиях, которые менее здравомыслящую девушку, чем Роуэн, заставили бы поверить в присутствие потусторонних сил. И о детях, бесконечно далеких от идеального образа, составленного их родителями…Однако если Роуэн невиновна в смерти ребенка, это означает, что настоящий преступник все еще на свободе

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