As Nora made her way back to the excavation site, the dead man in the mortuary kept pulling at the fringes of her consciousness. She had an uneasy feeling that she was getting caught up again, as she had with the mysterious red-haired girl whose head she and Cormac had unearthed last summer. But she couldn’t help imagining the murdered man as he had been in life, electricity humming through his nervous system, blood soaking oxygen from his lungs, all the thoughtless, automatic, repetitive cycles of physical existence brought to an abrupt and violent end. Why? Who was he, and why should he have been dispatched in a manner usually reserved for Iron Age victims? Had his death been deliberately planned to look like an ancient ritual killing—and if it had, who would have known enough about those practices to approximate such a thing? Maybe he had been a real sacrifice for some reason—the victim of mob violence for something he’d done, perhaps? It was difficult to imagine the sort of crime that might warrant a treble punishment. She pictured the naked victim, kneeling at the edge of a bog hole as the garrote tightened around his neck and a blade was drawn. Perhaps the blade was dull, and didn’t cut as deep as it should have. Maybe the victim struggled, or the swordsman’s aim was not true. Had he been drugged? Toxicology results and stomach content analysis could take weeks, but they might reveal how far the killer had gone in pursuit of authenticity, if it had been some sort of sacrificial ritual.
She arrived at the excavation site to find the small parking area jammed with Garda vehicles. The Technical Bureau van stood out above the cars, and a couple of television vans with satellite dishes had pulled up along the road as well. The place was turning into a circus, crawling with people. She had to park on the road about fifty yards from the hut. It looked as if the Guards had cordoned off access to the bog and were only letting people in if they were on a list. No sign of Ward. She wanted to tell him that the whole triple-death scenario he’d been so interested in this morning was probably not quite as concrete as she’d made it seem.
As she rounded the back of her car and got out her heavy boots and waterproofs, Nora saw Rachel Briscoe, the girl who’d found the new body, sitting cross-legged just inside the open door of the supply hut, on a large rectangular box like a shipping container that rested on blocks beside the shed where the archaeologists took their tea. A large pad of paper rested on her knees; she was drawing the worked ends of timbers that had been uncovered in the cuttings. It was all part of the excavation work, documenting each stroke of the ax; each gouge or facet was a direct line to the work of ancient hands.
Owen Cadogan’s Nissan pulled up behind Nora as she struggled into her waterproof trousers. Cadogan passed her by without speaking and strode purposefully toward the tea shed. When he was almost at the door, Ursula Downes emerged, evidently ready for a confrontation; as Cadogan moved to speak to her, she drew back and slapped him hard across the face. When he recoiled and began to protest, she pushed him away with both hands, turned on her heel, and left him standing with his arms hanging uselessly by his sides. A few yards beyond them, Rachel paused in her drawing and watched intently from the door of the hut, only turning her eyes back to her work when Cadogan stalked off, still rubbing his face. Maybe, Nora thought, she’d been wrong in her assumptions about Ursula and Cadogan. Maybe she’d completely misread what had happened yesterday. Cadogan obviously didn’t have the upper hand today. Maybe Ursula could handle him, and she had been butting in where she wasn’t wanted or needed.
As Cadogan returned to his car and sped off, the shed door opened again and Charlie Brazil emerged, checking to see if anyone was watching him. He began walking slowly toward the Garda checkpoint, skirting the crowd of reporters and sliding in at the front.
When she was suited up, Nora approached the barrier through a small but persistent crowd of journalists and showed her ID to the young policeman. “You should have me down on the list there—Gavin. Nora Gavin.”
The officer scanned down his clipboard and made a tick by her name. “Yeah, you’re all right, Dr. Gavin. Go ahead.” He waved her through, then held up his hands against the reporters who were clamoring for access and pressing up against him. Nora saw Charlie Brazil following a few yards behind her; he was let through the barrier as well. The crowd’s buzz receded as she walked deeper into the bog, conscious of Charlie Brazil’s presence only a few paces behind her. She could see Niall Dawson’s shaggy head among the group at the site, and felt somehow comforted to see his crew from the National Museum carrying on in spite of all the tumult.