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“Stop fussing me, will you?” Cadogan recognized his own voice in the boy’s response. When Stephen was out of harm’s way, his wife turned to him, but kept her distance. “You know when we’ll be home. You’ll have to fend for yourself until then.” What did she think he was, a schoolboy? Why had it taken him so long to realize that this was the way she’d always treated him, like a stubborn child?

Finally, the train pulled into the station. No false hope, no forced emotion, no tears. Cadogan felt relief as he watched his family climb the steps into the carriage.

“I won’t wait, if you don’t mind. I’ll just be off.”

“Whatever you like,” Pauline said. “I’ll ring you from Mam’s. Behave yourself.” With that final admonishment, she turned to catch up with the children, who were already arguing over who would get to sit facing the front of the train.

Cadogan turned and threaded his way through the loose clumps of travelers disembarking and waiting to get on. Freedom stretched before him, fourteen days in which he would not follow his wife’s advice. He felt enormous relief at getting out from under his family for a few days, and wondered briefly what it might feel like to be shut of them altogether. He dared not think about that—at least not until he’d seen his plan through, until he’d found out what his worst side was capable of at the bottom of it all.

Once out of the station, he passed a self-imposed threshold and allowed himself to think about Ursula Downes. When he’d arrived at the excavation site today, she’d accused him of trying to frighten her the night before. He hadn’t responded, just listened to her fume and sputter on. He wasn’t going to dignify her accusations with any reply. Who did she think she was, coming out here with airs and graces, rejecting him, after what they’d got up to almost every day last summer? Why should he tell her anything? Let her fucking wonder, the bitch.

7

Two days after the new body had turned up at Loughnabrone, Liam Ward sat at his desk finishing the paperwork on a couple of recent cases. They’d just closed the inquiry on a local farmer who was making and selling his own quack cures for cattle, and were now waiting for a determination on the charges to be filed by the Director of Public Prosecutions. And just last week they’d cracked a stolen car case purely by accident; on their way out to interview the suspect, they’d found him trying to bury the car in the bog with a backhoe. Far from being sporadic, the detective work—even in a rural district like this—was usually small-scale, but relentless. This was the first homicide he and Maureen had faced in several years, and it was possible that the unusual circumstances of the case would mean they’d have some interference from above.

Maureen came through the door with a brown envelope. “Preliminary autopsy on the Loughnabrone case. It’s addressed to you.”

Ward studied the envelope. The address was in Catherine Friel’s regular, slightly feminine hand. Still no word on Danny Brazil’s dental records; it might take a few more days. He opened the envelope and slid the autopsy report onto his desk. There was a note attached:

Liam—

I hope this preliminary report will be of some use. It could be a couple of weeks before the toxicology and serology results come through, but please ring me if you have any questions. The findings are fairly conclusive, but let me know if you need clarification on any point. I’d like to help the investigation in whatever way I can.

—Catherine

Ward felt an unfamiliar catch just beneath his solar plexus as he set the card aside. He scanned the first few paragraphs, looking for the one phrase, the key that would help him unlock this puzzle.

Evidence of injuries:

1. Sharp force injury to the left side of the neck. This is a complex injury, a combination stabbing and cutting wound. The initial wound is present on the left side of the neck, over the sternocleidomastoid muscle, 6 cm below the left auditory canal. It is diagonally oriented, and after approximation of the edges, measures 2 cm in length. Subsequent autopsy shows that the wound path travels through the skin and subcutaneous tissue, without penetration or injury of a major artery or vein. This is a nonfatal sharp force injury.

2. Lateral contusion measuring 3 mm in width around the neck superior of the hyoid and traversing C4 at a 10-degree angle ascending anterior to posterior. There is a ligature crossover pattern 3 cm from posterior midline at C4, suggestive of a slightly off-center rearward ligature strangulation. This is a nonfatal injury.

3. Oblique and slightly curved laceration of the left posterior head, located 12 cm from the top of the head and 6 cm from the posterior midline. The laceration extends through the scalp and is associated with subgaleal hemorrhage. No skull fracture is present. This is a nonfatal injury.

4. Multiple incised wounds to scalp, face, neck, chest, and left hand (defense wounds).

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Когда Роуэн Кейн случайно видит объявление о поиске няни, она решает бросить вызов судьбе и попробовать себя на это место. Ведь ее ждут щедрая зарплата, красивое поместье в шотландском высокогорье и на первый взгляд идеальная семья. Но она не представляет, что работа ее мечты очень скоро превратится в настоящий кошмар: одну из ее воспитанниц найдут мертвой, а ее саму будет ждать тюрьма.И теперь ей ничего не остается, как рассказать адвокату всю правду. О камерах, которыми был буквально нашпигован умный дом. О странных событиях, которые менее здравомыслящую девушку, чем Роуэн, заставили бы поверить в присутствие потусторонних сил. И о детях, бесконечно далеких от идеального образа, составленного их родителями…Однако если Роуэн невиновна в смерти ребенка, это означает, что настоящий преступник все еще на свободе

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