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Nora turned the thing over in her hand. Most of the ones she’d seen had been bronze, but the body of this pin—bright yellow metal, uncorrupted by damp—was unmistakably gold. It was exquisite: a stylized bird with furled claws, its eyes set on either side of a long beak that formed the arching bow. Even with Dawson looking right at her, the first impulse she felt was to fold this beautiful object into her palm and slip it into her pocket. It was almost like the urge she’d felt as a child, to hide when another person entered the room.

Watching Dawson mark the findspot and deposit the pin in a clear polythene bag marked with the excavation number, Nora felt a small part of herself resisting the very idea of collection, collation, enumeration. Her hand remembered the pin’s lovely heft. How easy it would have been to slip it into her pocket, and say not a word to anyone. She remembered the poster in Owen Cadogan’s office, requesting bog workers to report the things they found. An idea began to rattle around in her brain.

As they were going back to the shed at the tea break, Nora caught up with Dawson. “Niall, supposing I found something valuable out on the bog, and decided to keep it.”

Dawson seemed a little reluctant to engage on the subject. “If you were caught you’d be looking at a hefty fine, and probably jail time if it was deliberate poaching and not done just out of ignorance. The National Monuments Act is very specific and very strict.”

“What’s to keep me from coming out here with my trusty metal detector and looking for treasure?”

“You mean apart from it being illegal and unethical? Even archaeologists have to have a license when they’re using metal detectors on sites. The answer, unfortunately, is not much.”

“Supposing I wasn’t caught?”

Dawson threw her a look. “You’d be lucky. Illegal trade in antiquities is big business, but hard to keep secret for long. There was a pair of cousins prosecuted a few years ago. The Guards got a tip-off and nailed them with more than four hundred artifacts in their house—figured they’d probably made off with hundreds more before they got caught. Another woman down in Wexford went around wearing a thousand-year-old Viking brooch as a lapel pin for about three years before anyone realized it was a valuable artifact.”

“So how do you get people to resist temptation?”

“Well, with ordinary law-abiding citizens, fear of prosecution is a great motivator.”

“What about rewards and finders’ fees?”

“Oh, there’s that as well. Things found on private property are handled a bit differently from discoveries made on Bord na Mona lands. But according to the law, the finder’s fee is at the discretion of the state—more specifically, the museum’s director.”

“So that pin I just found—how much would it have been worth if I’d just dug it up perfectly legally in my back garden?”

“Are you asking about its value, or what the museum would actually pay?”

“What’s the difference?”

“The reward is usually just a percentage of the actual value. It can be a delicate negotiation, particularly if we know somebody’s got something we want, and we’re not sure who they are, what the object is, and whether they’ll ever turn it over.”

“Does that happen a lot?”

“More than we like to admit.”

“So what’s your estimate?”

“I couldn’t really say, not without examining it further. I’m not just being coy, Nora; that’s the way it is. Depends on the object’s value, the archaeological and historical value, and the amount of rewards made for similar objects. And it all comes from the state treasury, so we’re usually talking a maximum in the thousands rather than the millions. Just to give you an example, when the Derrynaflan hoard turned up in Tipperary in 1990, the finder and the landowner received about twenty-five thousand pounds each—and that was for a whole hoard that included a silver chalice inlaid with gold.”

“But depending on what you found, it could be serious money.”

“Oh, aye, surely—if it was found legally, and reported as required. Why this burning curiosity all of a sudden? Tell me you haven’t been tainted by one touch of saint-seducing gold?”

“Not to worry, I’ve no plans to turn treasure hunter. Thanks, Niall.”

Someone else farther back in the group called for Dawson’s attention, and Ursula Downes maneuvered into his place beside Nora.

“How’s your accommodation working out, then?” she asked.

Something in the innocent way she’d posed the question made Nora suddenly wary. “Just fine,” she answered cautiously, curious about where Ursula might be heading.

“What do you think of the Crosses?”

“It’s a wonderful place.”

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Когда Роуэн Кейн случайно видит объявление о поиске няни, она решает бросить вызов судьбе и попробовать себя на это место. Ведь ее ждут щедрая зарплата, красивое поместье в шотландском высокогорье и на первый взгляд идеальная семья. Но она не представляет, что работа ее мечты очень скоро превратится в настоящий кошмар: одну из ее воспитанниц найдут мертвой, а ее саму будет ждать тюрьма.И теперь ей ничего не остается, как рассказать адвокату всю правду. О камерах, которыми был буквально нашпигован умный дом. О странных событиях, которые менее здравомыслящую девушку, чем Роуэн, заставили бы поверить в присутствие потусторонних сил. И о детях, бесконечно далеких от идеального образа, составленного их родителями…Однако если Роуэн невиновна в смерти ребенка, это означает, что настоящий преступник все еще на свободе

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