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“If you’ll excuse me just a moment, I’ll get you fixed up here straightaway.” He reached for his mobile and dialed a number from memory, then turned away slightly, with a small smile and a glance back in Nora’s direction. He wanted to be rid of her, and soon. She was getting to be a nuisance.

“Ursula? It’s Owen. Dr. Gavin’s arrived in the office. Did you want to come round and fetch her—?” Cut off in midsentence, Cadogan listened for a moment, then colored and turned abruptly, as if the person on the other end of the connection had asked an embarrassing question. One hand flew up to the side of his face, an unconscious gesture of protection. “Look, I really can’t…Yes, she’s here with me now,” he said, glancing up. Nora went back to perusing the office walls again, and did her best to pretend she wasn’t listening. She stared at the newspaper cutting once more, at the nearly headless man in suit and wellingtons, noticing the interesting pin that anchored his tie—a sort of three-legged spiral. She’d arrived too early, and they didn’t know what to do with her. Well, if that was the case, she could find her own way to the site. It beat standing around here like an idiot while they argued. She tried to catch Cadogan’s eye. “I don’t think that’ll be necessary,” he said, “but if you—” Ursula evidently cut him off again. “All right then…Yes, right away.” Nora wondered idly whether it was a command or an acquiescence.

“That was Ursula Downes, the archaeologist heading up the bog road excavation on the site. She was first on the scene when the body was found.” Cadogan looked vaguely preoccupied, shuffling through some papers on his desk, perhaps only to avoid having to make eye contact. “Since you’re here, Ursula said she’d escort you out to the findspot, but she’s rather tied up at the moment—so she’s asked me to run you over there.” He tried to offer a smile, but could only manage a worried grimace.

“Do I really need an escort? I’m sure I could find my way there if you gave me directions—”

“The trouble is that we’re liable for your safety, and it’s really much better if either Ursula or I or someone from Bord na Mona is with you out on the bog. It can be a much more treacherous place than it may appear. If you’d like to bring your own car, I’m happy to lead you out to the site—that is, whenever you’re ready.”

Nora glanced down at the brown film of limescale floating atop her now-cold tea. “I’m ready now.”

As she followed Cadogan in her own car, watching him cut corners and shift gears a bit more forcefully than was warranted, Nora wondered what had passed between him and Ursula Downes. After speeding down the winding, tree-lined drive from the office, Cadogan turned onto the long, straight bog road. A set of narrow-gauge train tracks ran parallel to the road just below the ditch, and three rusting railcars sat idle upon them, with no engine in sight. Where the rails curved away from the road and out into the center of the bog, she could also see a jumble of extra track and several large bales of black plastic beside a high bank of turf someone had cut away by hand. A dirty wing chair faced the bank, as if someone had been sitting watching the cutter at work. It reminded her that in addition to its ancient use as a ritual depository, the bog had more recently taken on the role of communal rubbish heap. There was a pervasive air of abandonment here that surely didn’t sit well with someone like Owen Cadogan, who still saw himself as young and vigorous. There wasn’t much time to take in details; Cadogan’s gray Nissan fairly flew along ahead of her, and she struggled to keep up on the bumpy road.

As they came near the site, she could see figures working at cuttings along the drain faces. In the distance, a brilliant white marquee tent out on the bog billowed slightly in the wind, looking oddly medieval in this dark, barren place. That’s where the body was; it had to be. Cadogan finally braked abruptly when he came alongside a television news van and a couple of small rectangular trailers that seemed to have been dropped haphazardly by the side of the road. Between the sheds, a fair-haired woman was pacing and smoking a cigarette as she spoke on a mobile phone. She looked to be in her midthirties, and was dressed in standard work clothes for the bog: heavy-duty waterproof gear and industrial-strength rubber boots.

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Когда Роуэн Кейн случайно видит объявление о поиске няни, она решает бросить вызов судьбе и попробовать себя на это место. Ведь ее ждут щедрая зарплата, красивое поместье в шотландском высокогорье и на первый взгляд идеальная семья. Но она не представляет, что работа ее мечты очень скоро превратится в настоящий кошмар: одну из ее воспитанниц найдут мертвой, а ее саму будет ждать тюрьма.И теперь ей ничего не остается, как рассказать адвокату всю правду. О камерах, которыми был буквально нашпигован умный дом. О странных событиях, которые менее здравомыслящую девушку, чем Роуэн, заставили бы поверить в присутствие потусторонних сил. И о детях, бесконечно далеких от идеального образа, составленного их родителями…Однако если Роуэн невиновна в смерти ребенка, это означает, что настоящий преступник все еще на свободе

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