“I’m not going to lie to you,” Dr. Collier said, the first time they met. “Even now, with all we know and everything that we’ve been able to accomplish in the last fifty years, what you want is very, very dangerous. And if something does go wrong, there’s very little hope of turning back.” And then she signed all the documents stating that he’d told her these things, and that she understood the perils and uncertainty, and that she was submitting to the procedures of her own free will.
She takes a deep breath and stares back at herself from the mirror, the sweat on her face to match the steam on the glass, and drops the dermapad into the sink. It stains the water a dark reddish-brown. And her mother, and all the faces from the bar—Maxwell White and Alex Singleton and all the rest—seem to hover somewhere just behind her. They smirk and shake their heads, just in case she’s forgotten that the rest of the world always knew she was weak and that, in the end, she’d get exactly what she’s always had coming to her.
The rubbery violet flesh beneath her navel is swollen and marbled with pustules and open sores. The tip of a stillborn tentacle, no longer than her index finger, hangs lifeless from her belly. Dr. Collier wanted to amputate it, but she wouldn’t let him.
“I hate like hell to say it, but he’s right,” Fera Delacroix told her, after the scene in the hotel bar, while they were waiting for an elevator. “You
“No,” Sylvia says, gently touching the dead tentacle. “
She cleans the cancerous flesh and covers it with a fresh dermapad, then peels off one of the patches on her left thigh and repeats the process. It takes her more than an hour to wash and dress all the lesions, and when she’s done, when all those dying parts of her that are no longer precisely human have been hidden behind their sterile masks, she shuts off the water and gets dressed. She still has time for a light dinner before Circe Seventeen’s talk on the link between shamanism and the origins of parahumanism, and Sylvia knows that if she isn’t there, Fera Delacroix will come looking for her.
HWANG’S BILLION BRILLIANT DAUGHTERS
Alice Sola Kim
When Hwang finds a time that he likes, he tries to stay awake. The longest he has ever stayed awake is three days. The longest someone has ever stayed awake is eleven days. If Hwang sleeps enough times, he will eventually reach a time in which people do not have to sleep. Unfortunately, this can only come about through expensive gene therapy that has to be done long before one is born. Thus, it is the rich who do not have to sleep. They stay awake all night and bound across their useless beds, shedding crumbs and drops of sauce as they eat everyone else’s food.
Whenever Hwang goes to sleep, he jumps forward in time. This is a problem. This is not a problem that is going to solve itself.
Sometimes Hwang wakes to find that he’s only jumped forward a few days. The most Hwang has ever jumped is one hundred seventy years.
After a while, his daughters stop looking exactly Asian. His genes—previously distilled from a population in a small section of East Asia for thousands of years—have mixed with genes from other populations and continued to do so while Hwang slept. In fact, it all started with Hwang and his ex-wife. Hwang’s daughters are a crowd of beautiful, muddled, vigorous hybrids, with the occasional recessive trait exploding like fireworks—squash-colored hair, gray eyes, albinism.
Later, Hwang awakes in a world with no men. Reproduction occurs through parthenogenesis. Scientists discovered that the genes of the father are the ones that shorten human lifespan; scientists decided to do something about it.
There are people walking around who look like men, but they aren’t men. But if they look like men, walk like men, talk like men, maybe they are men?
There are new categories of gender that Hwang is unable to comprehend. Men are men. He finds a daughter who is a man, so she must actually be a son, but in Hwang’s mind—his mind that he cannot change—he is his daughter and always will be.