In an hour, he feels loose. He is young, and has plenty of time to decide what he wants to be when he grows up. He doesn’t know if he wants to have kids yet. Come on, man, that’s ages away. Let’s have some fun before fun ends.
Hwang is still Chip when he goes to sleep, but it wears off in the night. He goes to find it again, to feel simultaneously free yet locked into the right time with no sense of slippage, but discovers that Chip and Barbara have been taken off the market.
In bare feet, Hwang was half an inch shorter than his wife, which seemed within the bounds of acceptability. But the world conspired to tip this delicate balance, with slanted sidewalks, with Italian heels, with poor posture. Hwang and his ex-wife each thought that the other cared more about their height discrepancy.
Hwang always wakes up in the lab. The lab is always the same.
The time machine is a gnarled, charred mess on the floor, and the curtains are skeletons. Grishkov’s body is curled like a cat in the corner; his face is untouched like a peaceful waxwork, and for that, Hwang is grateful. Hwang sleeps on the couch, which has blackened and split like a bratwurst. As unkind and sooty as the lab is, Hwang lingers there to hold off timeshock and cultureshock.
When he needs to use the bathroom, he has to leave.
In time, Hwang begins to suspect that he is not only being pulled forward in time as he sleeps; he is also being pulled sideways in space, to parallel universes.
He thinks he has confirmation of this fact when he arrives at a time when everyone is green. (Don’t worry—there is still racism!)
Hwang sits with his daughter at a diner and tries to question her about what has happened. She explains, but language has changed, and he has trouble understanding her.
Soon there are no more bananas. The iconic Cavendish banana, tall and bright and constant, has gone extinct. It is true that no one’s favorite fruit is the banana. But now that bananas as he knew them are gone, Hwang feels like he’s been trapped in a house without windows.
There is no backwards from this forwards. No more bananas for anyone ever again.
Hwang has learned a valuable life lesson: never allow someone to test a time machine on you.
No matter how certain they are it will work.
No matter how certain you are that it will enable you to fix your life and the lives of your loved ones.
But Hwang must have done some good for his later daughters; he has to have done some good; he has to.
Would it all be worth it, then?
Once, he wakes up, opens the door to the lab, and steps into water. He doesn’t know how to swim. He is a giant lead teddy bear sinking to the bottom of the ocean, and as he flails in the water, his thoughts are not about how it’s all over thank god, they are about expelling water from his lungs and if he could just take another breath please that would be perfect thank you thank you thank you let me live.
Someone grabs him and pulls him up. It’s a woman wearing a cheap waiter’s tuxedo. All around them, houses and restaurants and offices bob impossibly.
The time after that, everything is dry again. Hwang asks his daughter where the ocean is. His daughter shrugs.
Hwang needs to understand that someday he will wake up and no one will be around, for good.