Limitless

Van Loon then seemed happy enough to let the conversation drift on for a while. We discussed Mexico and the probable effects the government’s apparently irrational stance was going to have on the markets. At one point, still fairly agitated, I caught myself reeling off a comparative list of per capita GDP figures for 1960 and 1995, stuff I must have read somewhere, but Van Loon cut me short and more or less implied that I was being shrill. He also contradicted a few things I said and was clearly right in each case to do so. I saw him looking at me once or twice, too – strangely – as if he were on the point of calling security over to have me ejected from the building.

But then, a bit later, when Kevin had gone to the bathroom, Van Loon turned to me and said, ‘I think it’s time we got rid of this clown.’ He indicated back to where the bathrooms were, and shrugged his shoulders. ‘Kevin’s a great guy, don’t misunderstand me. He’s an excellent negotiator. But sometimes. Jesus.’

Van Loon looked at me, seeking confirmation that I agreed with him.

I half smiled, unsure of how to react.

So here it came again, that thing, that anxious, needy response I’d somehow triggered in all of the others – in Paul Baxter and Artie Meltzer and Kevin Doyle.

‘Come on, Eddie, drink up. I live five blocks from here. We’re going back to my place for dinner.’

As the three of us were walking out of the Orpheus Room, I was vaguely aware that no one had paid the check or signed anything or even nodded to anyone. But then something occurred to me. Carl Van Loon owned the Orpheus Room, in fact owned the entire building – an anonymous steel-and-glass tube on Fifty-fourth between Park and Lexington. I remembered reading about it when the place had first opened a few years before.

Out on the street, Van Loon summarily dismissed Kevin by telling him that he’d see him in the morning. Kevin hesitated, but then said, ‘Sure, Carl. See you in the morning.’

We made eye contact for a second but both of us pulled away in embarrassment. Then Kevin was gone and Van Loon and I were walking along Fifty-fourth Street towards Park Avenue. He hadn’t had a limousine waiting after all, and then I remembered reading something else, an article in a magazine about how Van Loon often made a big thing of walking – and especially walking in his ‘quarter’, as though that somehow meant he was a man of the people.

We got to his building on Park Avenue. The brief trip from the lobby up to his apartment was indeed just that, a trip, with all of the elements in place: the uniformed doorman, the swirling turquoise marble, the mahogany panels, the brass radiator-grills. I was surprised by how small the elevator-car was, but its interior was very plush and intimate, and I imagined that such a combination could give the experience of being in it, and the accompanying sensation of motion – if you were with the right person – a certain erotic charge. It seemed to me that rich people didn’t think up things like this, and then decide to have them – things like this, little serendipitous accidents of luxury, just happened if you happened to have money.

The apartment was on the fourth floor, but the first thing that caught your attention as you stepped into the main hall was a marble staircase sweeping majestically up to what had to be the fifth floor. The ceilings were very high, and decorated with elaborate plasterwork, and there were friezes around the edges which took your eyes gradually downwards to the large, gilt-framed paintings on the walls.

If the elevator-car was the confessional box, the apartment itself was the whole cathedral.

Van Loon led me across the hallway and into what he called ‘the library’, which is exactly what it was – a dark, book-lined room with Persian rugs, an enormous marble fire-place and several red leather couches. There were also lots of expensive-looking ‘pieces’ of fine French furniture about the place – walnut tables you wouldn’t ever put anything on and delicate little chairs you wouldn’t ever sit in.

‘Hi, Daddy.’

Van Loon looked around, slightly puzzled. He obviously hadn’t expected anybody to be in here. On the far side of the room, barely visible against a wall of leather-bound books, there was a young woman holding open a large volume in her two hands.

‘Oh,’ Van Loon said, and then cleared his throat. ‘Say hello to Mr Spinola, darling.’

‘Hello Mr Spinola, darling.’

The voice was quiet but assured.

Van Loon clicked his tongue in disapproval.

‘Ginny.’

I felt like saying to Van Loon, That’s OK, I don’t mind your daughter calling me ‘darling’. In fact, I kind of like it.