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His cell was on the top tier of East Wing. It baked in the sun all day long and held the heat through the night. There was no electricity in the cells themselves. They reserved that for the corridors, the mess hall, and the killing chair in the Death House. Cells were lit by candlelight. Indoor plumbing had yet to come to Charlestown Penitentiary, so cell mates pissed and shat in wooden buckets. His cell was built for a single prisoner, but they’d stacked four beds in it. His three cell mates were named Oliver, Eugene, and Tooms. Oliver and Eugene were garden-variety stickup guys from Revere and Quincy, respectively. They’d both done business with the Hickey Mob. They’d never had a chance to work with Joe or even hear about him, but after they all passed a few names back and forth, they knew he was legit enough not to turn him out just to make a point.

Tooms was older and quieter. He had stringy hair and stringy limbs, and something foul lived behind his eyes that you didn’t want to look at. As the sun set on their first night, he sat on his top bunk, legs dangling over the edge, and every now and then Joe found Tooms’s blank stare turned in his direction, and it was all he could do to meet it and then casually move off it.

Joe slept on one of the low bunks, across from Oliver. He had the worst mattress and the bunk sagged, and his sheet was coarse and moth-eaten and smelled like wet fur. He dozed fitfully but he never slept.

In the morning, Norman approached him in the yard. Both of his eyes were black and his nose looked to be broken and Joe was about to ask him about it when Norman scowled, bit down on his lower lip, and punched Joe in the neck. Joe two-stepped to his right and ignored the sting and thought of asking why, but he didn’t have enough time. Norman came for him, both arms awkwardly raised. If Norman avoided his head and started punching his body, Joe was done. His ribs weren’t healed; sitting up in the morning still hurt so much he saw stars. He shuffled, his heels scrabbling the dirt. High above them, the guards in their watchtowers watched the river to the west or the ocean to the east. Norman drilled a punch into the other side of his neck and Joe raised his foot and brought it down on Norman’s kneecap.

Norman fell onto his back, his right leg at an awkward angle. He rolled in the dirt, then used his elbow to try to stand. When Joe stomped the knee a second time, half the yard heard Norman’s leg break. The sound that left his mouth wasn’t quite a scream. It was something softer and deeper, a huffing noise, something a dog would make after it crawled under a house to die.

Norman lay in the dirt and his arms fell to his sides, and the tears leaked from his eyes into his ears. Joe knew he could help Norman up, now that he was no danger, but that would be seen as weakness. He walked away. He walked across the yard, already sweltering at 9 A.M., and felt the eyes on him, more than he could count, everyone looking, deciding what the next test would be, how long they’d toy with the mouse before they took a real swipe with their claws.

Norman was nothing. Norman was a warm-up. And if anyone here got a sense of how badly Joe’s ribs were damaged — it hurt to fucking breathe at the moment; it hurt to walk — there’d be nothing but bones left by morning.

Joe had seen Oliver and Eugene over by the west wall, but now he watched their backs melt into a crowd. They wanted no part of him until they saw how this played out. So now he was walking toward a group of men he didn’t know. If he stopped suddenly and looked around, he’d look foolish. And foolish in here was the same thing as weak.

He reached the group of men and the far side of the yard, by the wall, but they walked away too.

It went that way all day — no one would talk to him. Whatever he had, no one wanted to catch it.

He returned that night to an empty cell. His mattress — the lumpy one — lay on the floor. The other mattresses were gone. The bunks had been removed. Everything had been removed except the mattress, the scratchy sheet, and the shit bucket. Joe looked back at Mr. Hammond as he locked the door behind him.

“Where’d everyone else go?”

“They went,” Mr. Hammond said and walked down the tier.

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Роман "Виктор Вавич" Борис Степанович Житков (1882-1938) считал книгой своей жизни. Работа над ней продолжалась больше пяти лет. При жизни писателя публиковались лишь отдельные части его "энциклопедии русской жизни" времен первой русской революции. В этом сочинении легко узнаваем любимый нами с детства Житков - остроумный, точный и цепкий в деталях, свободный и лаконичный в языке; вместе с тем перед нами книга неизвестного мастера, следующего традициям европейского авантюрного и русского психологического романа. Тираж полного издания "Виктора Вавича" был пущен под нож осенью 1941 года, после разгромной внутренней рецензии А. Фадеева. Экземпляр, по которому - спустя 60 лет после смерти автора - наконец издается одна из лучших русских книг XX века, был сохранен другом Житкова, исследователем его творчества Лидией Корнеевной Чуковской.Ее памяти посвящается это издание.

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