Читаем London: The Biography полностью

The omnibus first emerged upon the streets of London in 1829 and, twenty-five years later, there were some three thousand of them, each one carrying approximately three hundred passengers a day. There is a painting of 1845 by James Pollard, entitled A Street Scene with Two Omnibuses, which vividly recalls the transport of that period. Each of the two buses is being pulled by two horses; in the first bus eight gentlemen in stove-pipe hats are sitting on the open roof behind the driver, while other passengers can be glimpsed sitting within. The bus is painted green and in large letters along the side it is advertised as part of the “FAVORITE” group; a board on a post attached to the back proclaims that it drives between Euston and Chelsea, while on the side are painted its other destinations. The original fares were sixpence rising to a shilling, so this form of transport was not favoured by the labouring classes of London, yet steady competition reduced the prices of tickets to twopence or a penny. The first journey of the day was filled with office clerks, and a second with their employers, the merchants and the bankers; towards midday “the ladies” entered the bus for shopping expeditions, together with mothers taking their children “for a ride.” In the evening the vehicles were filled with all those returning to the suburbs from the City while, in the other direction, travelled those who were “out for the night” at the theatres or supper-clubs.

A traveller in 1853 noted that “the omnibus is a necessity and the Londoner cannot get on without it,” and added that “the word ‘bus’ is rapidly working its way into general acceptation”; he remarked upon the prepossessing appearance of these carriages, brightly painted red or green or blue, as well as the high spirits of conductors and drivers alike. The former shouted out “All right!” and banged the roof of the vehicle to signal that it was time to move on, and all through the journey he was “never silent” but calling out destinations continually-“Ba-nk! Ba-nk!”

The London horses deserve attention and celebration, also, because their training in the streets and their “natural sagacity” meant that they could proceed through the crowded thoroughfares at a good pace without causing accidents. One late Victorian recalled that, at one of those moments when traffic came to a halt, he could see “hundreds of horses” which “tossed their heads and blew air from their nostrils” while their drivers “shouted and bellowed” greetings and pleasantries to one another.

Of all vehicles, however, the hansom-cab became most closely associated with Victorian London. Introduced in 1834 it was a four-wheeled vehicle with an interior more comfortable than that of the previous two-wheeled cab, and with the driver at a more impersonal distance behind the carriage. Once again the changing appearances of transport reflected the changing culture of London. But if the form of the cabs was altered, the appearance and manner of their drivers remained constant; they were well known for their “chaff” or insolence, and their dishonesty. “Whenever a stranger is bold enough to hail a cab, not one, but half a dozen come at once”; this German traveller’s observation is supported by other accounts of the violent competitiveness of cab-drivers all over the capital. They became the tutelary spirits, or imps, of the road. Although there were statutory fees they would attempt to bargain, with the customary phrase “What will you give?” They were also notorious for their drunkenness and, in turn, for their argumentativeness. “An old Londoner only may venture to engage in a topographical or geometrical disputation with a cabman, for gentlemen of this class are not generally flattering in their expressions or conciliating in their arguments; and the cheapest way of terminating the dispute is to pay and have done with the man.” The drivers of the hansom cabs were “as full as exacting and impertinent as their humbler brethren,” the drivers of the growlers or four-wheeled cabs, but they had more spirit, “most skilful in winding and edging their light vehicles through the most formidable knot of wagons and carriages.” London’s cab-drivers epitomise the spirit of the city-fast, restless, audacious, with a propensity for violence and drunkenness. They are closely related to the butchers and the street-criers, whose trades are also intimately attached to the life of the city: all part of London’s family.

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Джон Дуглас , Марк Олшейкер

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