Its novel brightness attracted powerful forces; the process of what has often been called “metropolitan centralisation” attracted politicians, trade unionists and broadcasters; thus the BBC, ensconced in the heart of London, also became the “voice of the nation.” The film and newspaper industries, together with the myriad advertising companies, migrated to the metropolis, in the process helping to spread images and visions of the capital throughout the entire country. Industry, too, was part of this mass migration. The authors of the
The 1930s have in particular been anatomised as the age of anxiety, when economic depression, unemployment and the prospect of another world war materially affected the general disposition of the city. Yet the historians and reporters bring their own preoccupations to the subject; London is large enough, and heterogeneous enough, to reflect any mood or topic. It can hold, or encompass, anything; in that sense it must remain fundamentally unknowable.
J.B. Priestley, for example, saw evidence of a giant transition. He described a new urban culture, growing up all around him, as one “of arterial and by-pass roads, of filling stations and factories that look like exhibition buildings, of giant cinemas and dance halls and cafes, bungalows with tiny garages, cocktail bars, Woolworths, motor coaches, wireless.” The familiar London sensation, of everything growing too large, once more emerged. It was reported in 1932 that Dagenham, for example, had within ten years increased its population by 879 per cent. In 1921 it had been a small village, complete with cottages and fields of corn; within a decade 20,000 houses had been erected to sustain a working-class population. George Orwell had mentioned Dagenham in his account of a new city where the citizens inhabit “vast new wildernesses of glass and brick,” where “the same kind of life … is being lived at different levels, in labour-saving flats or council houses, along the concrete roads.” He was describing the same reality as Priestley, with “miles of semi-detached bungalows, all with their little garages, their wireless sets.” They were both reacting to the single most important change in London life within the last 150 years. They were talking about the suburbs.
After the Great War
One of many posters from the London Underground-this one dates from 1929-extolling the virtues of suburbia or “Metroland.” The retreat into suburbia in fact marked the greatest change in London’s topography since the estates of the eighteenth century.
CHAPTER 75. Suburban Dreams