The Mackenzie is tall, fit, male. She is short, female, but she is a Jo Moonbeam. She has the strength of three moon-men. She could crush this man’s ribcage with a single blow of her fist.
How did the fight start? Like any fight starts: like a fire: combustible tempers, proximity, a spark, something to feed the ignition. Beikou Lock Control kept Team Corta in the holding bay while a Mackenzie Metals rover squadron docked and locked. The squad fretted: enough confining tunnels, foul air, old water. They wanted home. Patience frayed. The Mackenzie squad – all men, Marina observed – filed in from the outlock carrying the spicy smell of moon dust. As the squad leader passed Carlinhos: two words:
Marina has never been in a fight. She has seen them in bars, in student houses, at parties but she was never part of them. Here she is a target. These men want to hurt her. These men don’t care if she dies. The Mackenzie man is down and out of the fighting, burbling faintly in shock. Marina crouches – low is strong – scanning the room. Real fights are not movie fights. Fighters go to ground, tug and claw and try to smash each other’s heads in. Carlinhos is down, on his back. Marina grabs his attacker by the arm. The man screams. She has dislocated his shoulder. She picks him up by suit collar and belt and slings him across the dock as easily as if he were a piece of clothing. Marina spins, charges at the first Mackenzie she sees. She mashes the Mackenzie man against a stanchion. She stands, panting. She has superpowers. She is She-Hulk.
‘Where are the cops?’ she yells to Carlinhos.
‘Earth,’ he yells back, sweeps an attacker’s legs from under him. Carlinhos drives fist into face. Blood sprays from the crushed nose; slow falling red.
‘Fuck!’ Marina cries. ‘Fuck fuck fuck fuck.’ She throws herself into the fight. The seduction of power is horrible and juicy. This is what it’s like to be a man on Earth, to know that you will always have strength. She kicks, she grabs, she seizes and snaps, she smashes. And it’s over. Blood on the sinter. Burbling sobbing. Dock control has arrived and are holding the parties apart with tasers and knives but fights have half-lives and this one has decayed into pointing and lunging and shouting. The argument now is over who pays, who compensates. The legal AIs fight now.
‘You all right?’ Carlinhos asks. Marina smells violence from him. Her gooseflesh rises: he fought without restraint or passion, as if violence were another tool of his business. Out on the dustbikes, he had said,
Marina nods. Now the shaking comes, the physical and chemical release. She hurt people. She broke bodies, smashed faces and she feels as pure and euphoric and alive as she did after Carlinhos took her on the Long Run. Elated and intense; dirty, itchy, degraded: a blood-slut. She doesn’t recognise herself.
‘The bus is here. Let’s go home.’
The cold perhaps, or the subtle realignment of weight, or the tiny, careful noises that night amplifies, but when Sohni Sharma wakes she knows Rafa isn’t there. The sex had been almost an afterthought; cursory, due diligence.
Her eyes ache, her joints throb, she is as dehydrated as the surface of the moon. How bad is it to ride the moonloop hung over?
Time. Oh five twelve. The sunline is a strip of indigo along the top of the world. She should move, get her stuff, get things together. Where is Rafa? Not in the bedroom, nor the ensuite, the office or the generous living space she tiptoes through, bare-skinned. The air still smells clean, washed. He’s on a chair on a shallow balcony, perched on the edge. The only thing he wears, against all club etiquette, is his familiar. He’s talking, voice low, back turned, a conversation not meant to be overheard. Overhear it she must.