Магия Pixar

Lasseter, John, et al. “Bloopers, Outtakes, and Horror Stories of SIGGRAPH Films”. ACM SIGGRAPH Computer Graphics 23, no. 5 (July 1989): 223-39.

Lasseter, John, and Steve Daly. Toy Story: The Art and Making of the Animated Film. New York: Hyperion, 1995.

Levinthal, Adam, and Thomas Porter. “Chap — A SIMD Graphics Processor”. Proceedings of the nth Annual Conference on Computer Graphics and Interactive Techniques (SIGGRAPH) 18, no. 3 (July 1984): 77-82.

Linzmayer, Owen W. Apple Confidential: The Real Story of Apple Computer, Inc. San Francisco: No Starch Press, 1999.

Lokovic, Tom, and Eric Veach. “Deep Shadow Maps”. Proceedings of the 27th.

Annual Conference on Computer Graphics and Interactive Techniques (SIGGRAPH), n.v. (July 2000): 385-92.

Lundell, Alan, and Geneen Marie Haugen. “The Merry Pranksters of Microcomputing”. In Steven Ditlea, ed., Digital Deli. New York: Workman, 1984, pp. 57-60.

Masson, Terrence. CG101: A Computer Graphics Industry Reference. Indianapolis: New Riders Publishing, 1999.

Masters, Kim. The Keys to the Kingdom: The Rise of Michael Eisner and the Fall of Everybody Else, 2nd ed. New York: HarperCollins, 2001.

McCracken, Harry. “Luxo Sr.: An Interview with John Lasseter”. Animato! (winter 1990): 10.

Moritz, Michael. The Little Kingdom: The Private Story of Apple Computer. New York: William Morrow, 1984.

National Research Council, funding a Revolution: Government Support for Computing Research. Washington, D.C. National Academy Press, 1999.

Odysseys in Technology: A Human Story of Computer Animation. Mountain View, Calif.: Computer History Museum, May 16, 2005. Panel; transcript on file with author.

Parke, Frederick I. “Computer Generated Animation of Faces”. Proceedings of the ACM Annual Conference 1 (Aug. 1972): 451-57.

Perry, Tekla S. “And the Oscar Goes To...” IEEE Spectrum 38, no. 4 (April 2001) 42-49.

Porter, Tom, and Galyn Susman. “Creating Lifelike Characters in Pixar Movies”. Communications of the ACM 43, no. 1 (Jan. 2000): 25-29.

Reeves, William T. “Particle Systems — A Technique for Modeling a Class of Fuzzy Objects”. ACM Transactions on Graphics 2, no. 2 (April 1983). 91-108.

Rivlin, Robert. The Algorithmic Image: Graphic Visions of the Computer Age. Redmond, Wash.: Microsoft Press, 1986.

Robertson, Barbara. “Pixar Goes Commercial in a New Market: Selling the $125,000 Image Processor”. Computer Graphics World (June 1986): 61.

“Disney Lets CAPS Out of the Bag”. Computer Graphics World (July 1994): 58.

“Monster Mash”. Computer Graphics World {Oct. 2001): 20.

“Car Talk”. Computer Graphics World (June 2006): 10.

Rubin, Michael. Droidmaker: George Lucas and the Digital Revolution. Gainesville, Fla.: Triad Publishing, 2006.

Schlender, Brent. “Pixar’s Magic Man”. Fortune (May 29, 2006): 139. Interview.

Shoup, Richard. “SuperPaint: An Early Frame Buffer Graphics System”. IEEE Annals of the History of Computing 23, no. 2 (April-June 2001). 32-37.

Sito, Tom. “Disney’s The Fox and the Hound: The Coming of the Next Generation”. Animation World 3, no. 8 (Nov. 1998): 12-15.

Smith, Alvy Ray. “Special Effects for Star Trek II: The Genesis Demo”. American Cinematographer (Oct. 1982): 1038.

“The Making of Andre & Wally B.” Unpublished draft, Aug. 14, 1984. “Digital Paint Systems: An Anecdotal and Historical Overview”. IEEE Annals of the History of Computing 23, no. 2 (April-June 2001): 4-30.

Solnit, Rebecca. River of Shadows: Eadweard Muybridge and the Technological Wild West. New York: Viking Penguin, 2003.

Stewart, James B. Disney War. New York: Simon & Schuster, 2005.

Sutherland, Ivan Edward. “Sketchpad: A Man-Machine Graphical Communication System”. Ph.D. diss., Massachusetts Institute of Technology, 1963.

Suzuki, Toshio, dir. Thank You, Lasseter-san. Documentary. Koganei, Japan: Studio Ghibli, 2003.