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They met outside Dennis’s classroom after the end of school and in a crowd of rushing boys walked down the wide wooden stairs past a window with a stained glass replica of the school’s circular seal. Because he was a popular teacher, many of the boys stopped to speak to Dennis or to wish him a good weekend, but few even said as much as hello to Tom. They scarcely looked at him. Except for the healthy glow of his skin, Tom was not a particularly handsome boy, but he was six-four. His hair was the same rough silky-looking blond as his mother’s, and his shoulders stuck out impressively, a real rack of muscle and bone under his rumpled tweed jacket. (At this stage of his life, Tom Pasmore never gave the impression of caring about, or even much noticing, what clothes he had happened to put on that morning.) At first glance, he looked like an unusually youthful college professor. The other boys acted as though he were invisible, a neutral space. They stood suspended on the stairs for a moment as the departing boys swirled about them, and as Dennis Handley talked to Will Thielman about the weekend’s homework, he glanced at Tom, slouched in the murky green-and-red light streaming through the colored glass. The teacher saw how thoroughly Tom allowed himself to be effaced, as if he had learned how to melt away into the crowd—all the students poured downstairs through the dim light and the shadows, but Tom Pasmore alone seemed on the verge of disappearance. This notion gave Dennis Handley, above all a creature of sociability, of good humor and gossip, an unpleasant twinge.

Soon they were outside in the faculty parking lot, where the English teacher’s black Corvette convertible looked superbly out of place among the battered Ford station wagons, ancient bicycles, and boatlike sedans that were the conventional faculty vehicles. Tom opened the passenger door, folded himself in half to get in, and sat with his knees floating up near the vicinity of his nose. He was smiling at his discomfort, and the smile dispelled the odd atmosphere of secrecy and shadows, which Handley had surely only imagined about the boy. He was the tallest person who had ever been in the Corvette, and Dennis told him this as they left the lot.

It was like sitting next to a large, amiable sheep dog, Dennis thought, as he picked up speed on School Road and the wind ruffled the boy’s hair and fluttered his tie. “Sorry the space is so tight,” he said. “But you can push the seat back.”

“I already did push the seat back,” Tom said, grinning through the uprights of his thighs. He looked like a circus contortionist.

“Well, it won’t be long,” Dennis said, piloting the sleek little car south on School Road to Calle Berghofstrasse, then west past rows of shops selling expensive soaps and perfumes to the four lanes of Calle Drosselmeyer, where they drove south again for a long time, past the new Dos de Mayo shopping center and the statue of David Redwing, Mill Walk’s first Prime Minister, past rows of blacksmiths and the impromptu booths of sidewalk fortune-tellers, past auto repair shops and shops dealing in pythons and rattlesnakes. They moved along in the usual bustle of cars and bikes and horse carts. Past the tin can factory and the sugarcane refinery, and further south through the little area of hovels, shops, and native houses called Weasel Hollow, where the woman who slept on “a king’s ransom” (the Eyewitness) had been murdered by her son. Dennis swerved expertly onto Market Street, weaved through and around a series of vans delivering produce to Ostend’s Market, and zipped through the last seconds of a yellow light onto Calle Burleigh, where at last he turned west for good.

Tom spoke for the first time since they had left the school. “Where do you live?”

“Out near the park.”

Tom nodded, thinking that he meant Shore Park, and that he must be planning on doing some shopping before he went home. Then he said, “I bet my mother asked you to talk to me.”

Dennis snapped his head sideways.

“Why do you think she’d want me to talk to you?”

“You know why.”

Dennis found himself in a predicament. Either he confessed that Gloria Pasmore had described Tom’s scrapbook to him, thereby admitting to the boy that his mother had looked through it, or he denied any knowledge of Gloria’s concern. If he denied everything, he could hardly bring up the matter of the scrapbook. He also realized that denial would chiefly serve to make him look stupid, which went against his instincts. It would also set him subtly against Tom and “on the side of” his parents, also counter to all his instincts.

Tom’s next statement increased his discomfort. “I’m sorry you’re worried about my scrapbook. You’re concerned, and you really shouldn’t be.”

“Well, I—” Handley stopped, not knowing how to proceed. He realized that he felt guilty, and that Tom was perceptive enough to see that too.

“Tell me about your books,” Tom said. “I like the whole idea of rare books and first editions, and things like that.”

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