На орбите Стравинского. Русский Париж и его рецепция модернизма

Debreczeny 1997 – Debreczeny P. Social Functions of Literature: Alexander Pushkin and Russian Culture. Stanford, CA: Stanford University Press, 1997.

Dezarnaux 1927 – DezarnauxR. LaMusiques: Theatre Sarah-Bernhardt: Ballets Russes: “Pas d’Acier”, ballet de M. lakouloff, musique de Serge Proko-fieff, choreographic de Leonide Massine //La Liberte. 1927. 9 June.

Diaghilev 1927 – Interview with Diaghilev. The New Ballet. M. Diaghilev and the Music of Prokofiev. How it Broke his Piano // Observer. 1927. 3 July.

Downes 1928 – Downes O. Stravinsky Ballet in World Premiere, “Apollon Musagetes” Opens the Elizabeth Sprague Coolidge Festival in Washington // New York Times. 1928. 28 April.

Downes 1931a – Downes O. Some Considerations Concerning Experiments in a New Art-Form // New York Times. 1931. 8 March.

Downes 1931b – Downes O. “Oedipus”, a Stage Spectacle // New York Times. 1931. 22 April.

Downes 1938 – Downes O. “End of St. Petersburg” by Dukelsky Has Premiere // New York Times. 1938. 13 January.

Dufour 2006 – Dufour V. Stravinsky etses exegetes (1910–1940). Brussels: Editions de 1’Universite de Bruxelles, 2006.

Duke 1955 – Duke V. Passport to Paris. Boston: Little, Brown and Company, 1955.

Duke 1963 – Duke V. “Listen Here!” A Critical Essay on Music Depreciation. New York: I. Obolensky, 1963.

Duke 1964a – Duke V. The Deification of Stravinsky // Listen: A Music Monthly. 1964. Vol. 4. May – June. P. 1–5.

Duke 1964b – Duke V. The Deification of Stravinsky, Part II // Listen: A Music Monthly. 1964. Vol. 5. September – October. P. 1, 3–5.

Dumm 1964 – Robert Dumm’s review // American Music Teacher. 1964. Vol. 14. № 2 November – December. P. 36.

d’Espezel 1937 – d’Espezel P. L’exposition international des arts et des techniques dans la vie modern // Revue de Paris. 1937. № 44.15 August. P. 936.

E. B. 1927 – E. B. The Russian Ballet: Prokofieff’s New Work П The Manchester Guardian. 1927. 5 July.

Eaton 1938 – Eaton Q. Vladimir Dukelsky Work Revives Question of a Double Musical Life. “The End of St. Petersburg”, to Be Sung by Schola Cantorum, Prompts Discussion of Composer’s Twin Activities – 57th Street Knows Dukelsky But He’s Duke to Tin Pan Alley – Chorus Described “Pictorial History of Famed Ex-Capital” // Musical America. 1938.10 January.

Emerson 2014 – Emerson C. Jacques Maritain and the Catholic Muse in Lourie’s Post-Petersburg Worlds // Funeral Games in Honor of Arthur Lourie / eds. K. Moricz, S. Morrison. Oxford and New York: Oxford University Press, 2014. P. 196–268.

Evdokimova 2003 – Alexander Pushkins Little Tragedies: The Poetics of Brevity / ed. by S. Evdokimova. Madison: University of Wisconsin Press, 2003.

Erotopaegnia 1917 – Erotopaegnia: Стихи Овидия, Петрония, Сенеки, Приапеевы, Марциала, Пентадия, Авсония, Клавдиана, Луксория в переводе размерами подлинника / [пер. В. Я. Брюсова]. М.: Альциона, 1917.

Е В. 1928 – Е В. Russian Ballet. Serge Diaghileff Season. “Apollon Mus-agetes” // The Daily Telegraph. 1928. 26 June.

Farrell 1993 – Farrell D. E. Shamanic Elements in Some Early Eighteenth Century Russian Woodcuts 11 Slavic Review. 1993. Vol. 52. № 4. R 725–744.

Flament 1937 – Flament A. Tableaux de lexposition // Revue de Paris. 1937. Vol. 44. 15 August. P. 939–954.

Frank 1937 – Frank A. Quand Serge Lifar ne songe pas a ГОрега mais a la Bibliotheque Nationale 11 LTntransigeant. 1937. 8 January.

Franko 2016 – Franko M. Serge Lifar et la question de la collaboration avec les autorites allemandes sous 1’Occupation (1940–1949) 11 Vingtieme Siecle. Revue d’Histoire. 2016. № 132. Octob er-December. P. 21–41.

Frolova-Walker, Walker 2013 – Frolova-Walker M., Walker J. Music and Soviet Power 1917–1932. Suffolk: The Boydell Press, 2013.

Fiilop-Miller 1928 – Fiilop-Miller R. The Mind and Face of Bolshevism: An Examination of Cultural Life in Soviet Russia / trans, by F. S. Flint and D. F. Tait. New York: Alfred A. Knopf, 1928.

Fiil6p-Mz7/er, Gregor 1930 – Lulop-Miller R., Gregor J. The Russian Theatre: Its Character and History with Especial Reference to the Revolutionary Period. New York and London: Benjamin Blom, 1930.