Huyssen 2005 —
Huyssen A. Geographies of Modernism in a Globalized World // Geographies of Modernism: Literatures, Cultures, Spaces I ed. by A. Tacker, P. Brooker. London: Routledge, 2005. P. 6–19.Jabara 2006 —
Jabara M. C. A. Soviet Eye on France from the Rue de Grenelle in Paris, 1924–1940 // Diplomacy & Statecraft. 2006. Vol. 17. № 2. P. 295–346.Johnson 1990 —
Johnson R. Bakst on Classicism: “The Paths of Classicism in Art” II Dance Chronicle. 1990. Vol. 13. № 2. P. 170–192.Joseph 2011 —
Joseph С. M. Stravinsky’s Ballets. New Haven and London: Yale University Press, 2011.Kenez 2001 – Kenez P. Cinema and Soviet Society from the Revolution to the Death of Stalin. London; New York: I. B. Tauris Publishers, 2001.
Kepley 2003 —
Kepley V. J. The End of St. Petersburg (KINOfiles Film Companion 10) / ed. by R. Taylor. London; New York: I. B. Tauris, 2003.Khazan 2008 – Khazan V. Petersburg in the Poetry of the Russian Emigration II Preserving Petersburg: History, Memory, Nostalgia /
ed. by H. Goscilo, S. M. Norris. Bloomington; Indianapolis: Indiana University Press, 2008. P. 115–141.Kholopov 2007 – Kholopov Y. Why did Prokofiev write the “Classical Symphony”? II Three Oranges Journal.
2007. № 13. May. P. 10–14.Kochno 1970 – Kochno B. Diaghilev and the Ballets Russes /
trans, by A. Foulke. New York; Evanston: Harper & Row, Publishers, 1970.Kochno, Luz 1954 – Kochno B., Luz M. Le Ballet.
Paris: Hachette, 1954.Kohler 2003 —
Kohler G.-B. Boris de Schloezer (1881–1969): Wege aus der russischen Emigration. Bausteine zur Slavischen Philologie und Kulturge-schichte. Bd. 41. Koln: Bohlau, 2003.Korabelnikova 2008 —
Korabelnikova L. Z. Alexander Tcherepnin: The Saga of a Russian Emigre Composer I trans, by A. Winestein, ed. by S.-E. Hersh – man-Tcherepnin. Bloomington: Indiana University Pres, 2008.Krenek 1993 – Krenek E. Musical Time 11 Newsletter of the Ernst Krenek Archive. 1993.
Vol. 3. № 2–3. Winter-Spring. P. 11–13.Labbe
1939 – Exposition international des arts et techniques dans la vie modern (1937) / ed. par M. E. Labbe. Paris: Imprimerie nationale: 1939 (Rapport General. Vol. 9).Laloy 1928 – Louis Laloy’s review 11 Comoedia.
1928. 8 June.Le Flem 1930 – Paul Le Flem’s review 11
Comcedia. 1930. 17 February.Leveille 2013 – Leveille A. “Slavic Charm and the Soul of Tolstoy”: Russian Music in Paris in the 1920s 11 Russian Emigre Culture: Conservatism or Evolution? I
ed. by C. Flamm, H. Keazor, R. Marti.Newcastle upon Tyne: Cambridge Scholars Publishing, 2013. P. 165–178.Levidou 2008 – Levidou K. The Encounter of Neoclassicism with Eurasianism in Interwar Paris. PhD diss., Oxford University, 2008.
Levidou 2013 —
Levidou K. Eurasianism in Perspective: Souvtchinsky, Lourie, and the Silver Age // Russian Emigre Culture: Conservatism or Evolution? I ed. by C. Flamm, H. Keazor, R. Marti. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013. P. 203–228.Levinson 1923a —
Levinson A. Le decor, la choregraphie 11 Comoedia. 1923. 16 June.Levinson 1923b —
Levinson A. La Danse. Ou en sont les “Ballets russes” // Comoedia. 1923. 18 June.Levinson 1927 —
Levinson A. La Choreographic // Comoedia. 1927.9 June.Levinson 1928a —
Levinson A. Aux “Ballets Russes”: Ode // Candide. 1928. 14 June.Levinson 1928b —
Andre Levinsons review of Apollo // Candide. 1928. 21 June.Levinson 1929 —
Levinson A. La Danse d’aujourd’hui: etudes, notes, portraits. Paris: Editions Duchartre et Van Buggenhoudt, 1929.Levitz 2012 —
Levitz T. Modernist Mysteries: Persephone. Oxford: Oxford University Press, 2012.Levitz 2013 – Stravinsky and His World I
ed. by T. Levitz. Princeton; Oxford: Princeton University Press, 2013.Leyda 1983 – Leyda J. Kino: A History of the Russian and Soviet Film.
Princeton: Princeton University Press, 1983.