Korsakov showered Ibrahim with questions: Who was the first beauty in Petersburg? Who was reputed to be the best dancer? What dance was now in fashion? With great reluctance Ibrahim satisfied his curiosity. Meanwhile they drove up to the palace. Many long sledges, old coaches, and gilded carriages already stood in the field. By the porch thronged coachmen in liveries and moustaches, footmen sparkling with baubles, in plumes and with maces, hussars, pages, clumsy lackeys laden with their masters’ fur coats and muffs: a necessary suite according to the notions of the boyars of that time. At the sight of Ibrahim, a general murmur arose among them: “The Moor, the Moor, the tsar’s Moor!” He quickly led Korsakov through this motley servantry. A court lackey threw the doors open for them, and they entered the hall. Korsakov was dumbfounded…In the big room lit by tallow candles, which shone dimly through the clouds of tobacco smoke, dignitaries with blue ribbons over their shoulders,17 ambassadors, foreign merchants, officers of the guards in green uniforms, shipwrights in jackets and striped trousers, moved back and forth in a crowd to the incessant sounds of a brass band. Ladies sat along the walls. The young ones glittered with all the magnificence of fashion. Gold and silver glittered on their gowns; their narrow waists rose like stems from puffy farthingales; diamonds glittered on their ears, in their long curls, and around their necks. They turned gaily right and left, waiting for the cavaliers and the start of the dancing. Elderly ladies tried cleverly to combine the new way of dressing with the persecuted old fashion: their bonnets tended towards the little sable hat of the tsaritsa Natalia Kirillovna, and their
Noticing the new guests, a servant approached them with beer and glasses on a tray.