Обри Бердслей

7. M.S. Lasner, op. cit., p. 17; J. Pennell, Studio, 1, 1893, p. 14–19; Academy, 5.4.1893, p. 331; Artist, May 1893, p. 141 – the cover is described as ‘extremely handsome and decorative’; London Figaro, 20.4.1893, quoted in Stanley Weintraub, Aubrey Beardsley – Imp of the Perverse (Pennsylvania/ London, 1976), p. 81; Art Student [NY], 8–12.1893; Le Livre et L’Image, September 1893, p. 249; D.S. MacColl, ‘The Beardsleys’.

8. MDG, p. 47; Richard Ellman, Oscar Wilde; ‘Salome Contract’, in R. A. Walker, ‘Introduction’, Oscar Wilde, Salome (London, 1957), p. 14; Le Livre et Vintage, August 1893, p. 57; A. Vallance, in Morte Darthur Portfolio, p. 12; MDG, p. 48.

9. J. Pennell, Adventures of an Illustrator, p. 216; J. Pennell, Aubrey Beardsley and Some Other Men of the Nineties, p. 25–27; Elizabeth Robins Pennell, Nights (Philadelphia, 1916), p. 260; for Harland, cf. Katherine Lyon Mix, op. cit., p. 55–57; and G. Glastonbury [Aline Harland], ‘The Life and Writings of Henry Harland’, Redwood, vol. 10, no. 1 (1910), p. 2–10; E. A. Beardsley, B. Misc., p. 77; E. R. Pennell, op. cit., p. 260; Margaret Stetz and Mark Samuels Lasner, The Yellow Book – A Centenary Exhibition (Cambridge, Mass., 1994), p. 14–15.

10. E. R. Pennell, op. cit.; Pennell, Adventures of an Illustrator, Aubrey Beardsley and Some Other Men of the Nineties; Art Journal (1893), p. 216–220; Fortnightly Review, 1.6.1893, p. 774; MDG, p. 48–49; J. Pennell, Adventures of an Illustrator, p. 219; William Rothenstein, Men and Memories (London, 1931), p. 134–135, 187.

11. D.S. MacColl, B. Misc., p. 23; J. Pennell, Adventures of an Illustrator, p. 217, 220; J. Pennell, Aubrey Beardsley and Some Other Men, p. 28–30; E. R. Pennell, op. cit., p. 262–264; D.S. MacColl, ‘The Beardsleys’; E. R. Pennell, ‘The Two Salons’, Fortnightly Review, 1.6.1893, p. 782; D.S. MacColl, ‘The Beardsleys’.

12. ibid; E. R. Pennell, Nights, p. 262–264; J. Pennell, Aubrey Beardsley and Some Other Men, p. 32; J. Pennell, Adventures of an Illustrator, p. 217–220; E. R. and J. Pennell, Tlie Life of James McNeill Whistler (London, 1908), p. 311; J. Pennell, Adventures of an Illustrator, p. 220; Iconography, item 52; Leonard Smithers Catalogue No. 7 (1896), item 979: ‘These designs were executed at the commencement of [AB’s] career.’; J. Pennell, Adventures of an Illustrator, p. 220; A. Stodart-Walker, ‘Some Celebrities 1 Have Known’, Chambers Journal, 3.4.1909, p. 283.

13. Studio, 1894, p. 167; A. Vallance, Magazine of Art, p. 365; A. Vallance, Morte Darthur Portfolio, p. 12; MDG, p. 50; R. Ross, op. cit., p. 45; T. Wratislaw, ‘The Salome of Aubrey Beardsley’, Artist, 2.4.1894, p. 100–101; MDG, p. 51.

14. For AB’s decor cf. Herbert Small, ‘Aubrey Beardsley’, Book Buyer, February 1895, p. 26–29; J. W. Smith, Boston Evening Transcript, 16.2.1895, p. 16; Penrhyn Stanlaws, ‘Some Personal Recollections of Aubrey Beardsley’, Book Buyer, October 1898, p. 212–214; Netta Syrett, Sheltering Tree (London, 1939), p. 78–79; Leslie’s Weekly, 6.8.1894, p. 90; and information from Stephen Calloway; R. Ross, op. cit., p. 22, 44; J. – K. Huysmans (trans. Robert Baldick), Against Nature (London, 1959). P 30; N. Syrett, op. cit.

15. A. Thornton, op. cit., p. 38–40; D.S. MacColl, ‘The Beardsleys’; MDG, p. 49–51.

16. W. Rothenstein, op. cit., p. 135, 185; AB holograph (Harvard); Rothenstein, p. 185; David Cecil, Max (London, 1964); M. Beerbohm, A Variety of Tilings, p. 222; W. Jerrold (ed.), Bon-Mots of Samuel Foote and Tlicodore Hook (London, 1894), p. 15; Desmond Flower and Henry Maas (eds), The Letters of Ernest Dowson (London, 1967), p. 260; Rothenstein, op. cit. p. 134, 176; S. Calloway, Charles Ricketts (London, 1979).