Обри Бердслей

17. Robert Emmons, The Life and Opinions of Richard Sicken (London, 1941), p. 96; Frank Harris, Oscar Wilde (London, 1997, edition), p. 75; Rothenstein, op. cit., p. 213; Julie Speedie, Wonderful Sphinx (London, 1993); R. Hart-Davis (ed.), Max Beerbohm letters to Reggie Turner (London, 1964), p. 67–8; Mary M. Lago and Karl Beckson, Max Will (London, 1975), p. 17; Karl Beckson, Arthur Symons – A Life (Oxford, 1987), p. 92.

18. MDG, p. 51–52; Pastel [T. Wratislaw], ‘Some Drawings of Aubrey Beardsley’, Artist, 1.9.1893, p. 259–260.

19. Evelyn Sharp, Unfinished Adventure (London, 1933), p. 57–58; N. Syrett, op. cit., p. 79; M. Beerbohm, op. cit., p. 226; N. Syrett, op cit., p. 79; H. MacFall, op. cit., p. 1; M. Birnbaum, ‘Aubrey Beardsley’, Jacouleff and Other Artists (NY, 1946), p. 127; N. Syrett, op. cit., p. 71.

20. MDG, p. 53; ‘An illustration to the Gospel of To-Day’ by ‘Baudrey Weirdsley’, To-Day, 22.9.1894; ‘Frontispiece to Juvenile Poems’ by ‘Daubaway Weirdsley’ [Linley Sambourne], Punch, 2.2.1895, p. 58; Baby Beaumont in ‘Letters from a Debutante’, Punch, 20.10.1894, p. 180; B. Misc., p. 11; Westminster Gazette, quoted in PP, April 1894, p. 66; Henry Harland, ‘Aubrey Beardsley’, Academy, 10.12.1898, p. 437.

21. Quoted in Margery Ross (ed.), op. cit., p. 27–28; A. Vallance, Magazine of Art, 1898, p. 365; H. Macfall, op. cit., p. 41; R. Ross, op. cit., p. 21; A. Vallance, Morte Darthur Portfolio, p. 14, 12; A. Vallance, Magazine of Art, 1898, p. 366; Mary Lago (ed.), Burne-Jones Talking (London, 1981), p. 174–175.

22. UW, p. 48; MDG, p. 65; Max Beerbohm letters to Reggie Turner, p. 53; Frances Winwar, Oscar Wilde and the Yellow Nineties (London, 1940), p. 214; F. Harris, op. cit., p. 75; Ada Leverson, ‘The Last First Night’ in Violet Wyndham, The Sphinx and her Circle (London, 1963), p. 107; G. B. Shaw, in Weintraub (ed.), Shaw: An Autobiography (NY, 1969), p. 252; quoted in Weintraub, Aubrey Beardsley – Imp of the Perverse, p. 62, 65; MDG, p. 52–54.

23. MDG, p. 38; Lord Alfred Douglas holograph notes for Autobiography (photocopy) (British Library, London); N. Syrett, op. cit., p. 95; MDG, p. 58; The Letters of Oscar Wilde, p. 384; Max Beerbohm letters to Reggie Turner, p. 84.

24. Rothenstein, op. cit., p. 134–135; Spectator, 23.12.1893, p. 913; Public Opinion, 1893, p. 659–660; MDG, p. 58; Spectator, 23.12.1893, p. 912.

25. MDG, p. 58; Public Opinion, 1893, p. 700; MDG, p. 51, 58; Catalogue of Loan Exhibition of Drawings by Aubrey Beardsley, National Gallery, Millbank 1923–1924, p. 5; MDG, p. 57 Harper’s New Monthly Magazine, November 1893, p. 858–867; W. B. Yeats, ‘The Autumn of the Flesh’ in R. Ellman, Yeats – Tlie Man and his Masks (London, 1979 edition) p. 214; J. – K. Huysmans, op. cit., p. 180; MDG, p. 60.

26. MDG, p. 230; D. S. MacColl, ‘The Beardsleys’, p. 3; M. Easton, Aubrey and the Dying Lady, p. 86–87.

Глава VI. Слава и богатство

1. Interview with Mabel Beardsley, Bon Accord, 2.2.1900, in M. Easton, Aubrey and the Dying Lady, p. 183–184; Henry Harland in Katherine Lyon Mix, A Study in Yellow (Kansas/London, i960) p. 68; G. Glastonbury [Aline Harland], Redwood (1910), p. 5; MDG, p. 61; John Lane, ‘The Yellow Book – Some Recollections’ [cTS], c.1922 (British Library, London); K. L. Mix, op. cit., p. 69; John Lane, ‘The Yellow Book’; MDG, p. 61.

2. J. Lewis May, John Lane and the Nineties (London, 1935), p. 72; R. Hart-Davis (ed.), Letters of Max Beerbohm (London, 1988), p. 76–77; M. Easton, Aubrey and the Dying Lady, p. 44; Margaret D. Stetz and Mark Samuels Lasner, The Yellow Book – A Centenary Exhibition (Cambridge, Mass., 1994), p. 24; Letters of Max Beerbohm, p. 176; Max Beerbohm letters to Reggie Turner, p. 88; D. S. MacColl, ‘The Beardsleys’, Laurence Housman, The Unexpected Years (London, 1936), p. 103, mALS Charles Shannon to John Lane, n. d. [March 1894] (British Library, London).