19. K. L. Mix, op. cit., p. 106; Nation, 59, 1894, p. 143, The Times, 20.7.1894, p. 4, Yellow Book II, July 1894, p. 179–190; Critic, 18.9.1894, p. 109; K. L. Mix, p. 113; quoted in Critic, 22, 1894, p. 108; Thomas Beer, The Mauve Decade (NY, 1926), p. 247; A. Hammond, op. cit., p. 146; MDG, p. 65; Sketch, 10.4.1895, p. 561; Iconography, item 79; AB, ‘The Art of Hoarding’, B. Misc., p. 93–94; the MS is at Princeton; mALS H. Harland to J. Lane, ‘Saturday’ [1894] (British Library, London); AB, in B. Misc., p. 93–94; Penrhyn Stanlaws, ‘Some Personal Recollections of Aubrey Beardsley’, Book Buyer, October 1898, p. 212; R. A. Walker, Some Unknown Drawings of Aubrey Beardsley, p. 1; Iconography, item 72.
20. P. Stanlaws, ‘Some Personal Recollections’; E. Jussim, op. cit., p. 80; P. Stanlaws, ‘Some Personal Recollections’; H. MacFall, op. cit., p. xiii; A. Hammon, op. cit., p. 150; M. Beerbohm, op. cit., p. 223; ALS AB to Mrs Williams, [n.d.] (Princeton); MDG, p. 73; quoted in Margery Ross, op. cit., p. 27–28.
21. Robert Hichens, The Green Carnation (London, 1894; reprinted 1949), p. 71; R. Ross, op. cit., p. 24; J. L. May, op. cit., p. 50; W. B. Yeats, Autobiographies, p. 331–332; Frank Harris, My Life and Loves [1925], vol. 1, p. 15; Brian Read and Frank Dickinson, Aubrey Beardsley Exhibition at the Victoria and Albert Museum tg66, Catalogue (London, 1966), item 587.
22. M. Benkovitz, op. cit., p. 106; W. B. Yeats, Memoirs, p. 92; MDG, p. 115; John Russell, ‘Why Beardsley is Back’, New York Times Magazine, 5.2.1967, p. 55; J. L. May, op. cit., p. 50; Critic, 22, 1894, p. 108; Sun, 28.3.1895, p. 1, in Linda Zatlin, Aubrey Beardsley and Victorian Sexual Politics (Oxford, 1990).
23. J.W. Smith, Boston Evening Transcript, 16.2.1895, p. 16; Book Buyer, February 1895; G. White, Studio, 1898, p. 252–263; W. B. Yeats, Autobiographies, p. 331; J-W. Smith, Boston Evening Transcript, 16.2.1895, p. 16; Leslie’s Weekly, 6.8.1894, p. 90; mALS E. A. Beardsley to J. Lane, ‘Sunday’ [1924] (British Library, London); Allen Wade (ed.), The Letters of W. B. Yeats (London, 1954), p. 575; mALS E. A. Beardsley to J. Lane, ‘Sunday’ [1924]; J. W. Smith, Boston Evening Transcript, 16.2.1895, p. 16; Sketch, 10.4.1895.
24. J. G. Nelson, op. cit., p. 267–279; Artist, December 1894, p. 440; Studio, November 1894, p. ix; MDG, p. 76; ALS AB to ‘Billy’ [Rothenstein], ‘3 o’clock a. m., Tuesday’ September, 1894] (Boston Public Library); Artist, December 1894, p. 439–440; Punch, 3.11.1894, p. 204–205.
25. M. Beerbohm, op. cit.; Saturday Review, 27.10.1894, p. 469; National Observer, 17.11.1894, p. 23; K. L. Mix, op. cit., p. 127; P. Stanlaws, ‘Some Personal Recollections’; Magazine of Art, January 1895, p. 38; Studio, 1894, p. 98; M. S. Lasner, op. cit., p. 47; Jules Roques, ‘Les Artistes Anglais; M. Beardsley’, Courtier Francois, 23.12.1894, p. 6–8; Rothenstein, op. cit.; ALS Oliver Lodge to R. A. Walker, 19.9.1935 (Princeton); Michael Holroyd, Augustus John (London, 1974), p. 42; Charles Hiatt, ‘Designs by Will H. Bradley’, Studio, 4, 1894, p. 168.
26. Punch, Sketch, 24.10.1894, p. 72; 28.7.1894; cf. Punch, 107, p. 89.
27. M. Easton, Aubrey and the Dying Lady, p. 93–94; AB to J. Lane, in Dulau Catalogue, 165, item 953; MDG, p. 78–79; ALS AB to J. M. Dent, 21.12. [1894] (Private Collection); ALS E. Gosse to A. E. Gallatin, 19.6.1902 (Princeton); ALS F. P. Barnard to J. Lane, 7.11.1920 (Princeton); F. P. Barnard, ‘Constantine Guys, Twelve Unknown Drawings’, Artwork (1930), p. 88; Yellow Book, vol. VIII; mALS M. Harland to J. Lane [December 1894] (British Library, London); MDG, p. 79; J. Lane, ‘The Yellow Book’ [Lane misspells the Canon’s name, ‘Crewsden’]; M. Benkovitz, op. cit., p. 118; Punch’s Almanach for 1895, issued December 1894.
Глава VII. Скандал1. Rupert Hart-Davis (ed.), Letters of Max Beerbohm, p. 8; Sketcli, 10.4.1895, p. 561–562; Punch, 2.2.1895.