The bags of garbage held bodies, and the dogs in the street were licking the entrails of orphaned children caught in the crossfire. Next came the truly terrible morning, when Helen guessed, and he thought she was a spy. It was all so real. Even now, in the sometimes fragile, smart system of a new chemistry, Les is holding out until the day the war is acknowledged by Ontario and his wife is forced to return to him. A matter of national security. Their marriage, their son. He had become a drama teacher, and Helen left him, in the first month of her pregnancy, to live with a writer in the village of Parkdale. The post-breakdown Les asked far too many smart questions. He had begun to desire things that had never been discussed with Helen.
Les has never seen his son. He doesn’t even know his name. He’d moved to Pontypool, to work at the farm and the school, the summer before the boy was born. Les feels calm as he returns to the driver’s seat of his truck. The events of the day have guided him out of crisis, and he rolls the vehicle toward Caesarea, where he’ll telephone the OPP. He feels the safety and the sadness of this decision drop his gearshift from neutral to drive.
At a breakfast table in Caesarea a couple sit across from each other. Their mouths are opened and liver coloured. She tries to lick her bottom lip but misses, catching her tongue in the slippery well of skin at the base of her gums. The tongue pushes to a point in this pocket until the O of her lips reaches its limit and the tongue springs out, releasing a full pouch of liquid down her chin. Her husband mimics this, but he extends his tongue directly through the O, clearing its edges, missing the point. Like all the other zombies, the only expression that these two can achieve is one of supernatural failure. Like gargoyles, they frown in exhausted masks of hopelessness. Her eyes rise into the bridge of her nose and tunnel up beneath her brow; the lashes have fallen into the tails of goldfish that fan across her cheeks. His eyes are the same, but for heavier lower lids that scoop out like wading pools, vividly red and beating with vulnerable membrane. This couple, unlike the Killings, will never act out the tiny story that brought them together. Instead, they are doomed to suspension, to act out a compulsion that has never been fully explained. But as Les Reardon steps up to their front door the compulsion will be given another opportunity to shock and revile.
No one answers the door, so Les pounds it harder, knocking it back under his knuckles. Les steps through the opening and immediately understands, by the choir of animal sounds coming from within, that the killer is here.
They
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