ERASMO: Yes. We kept to the home clock throughout. I won’t be giving you any headaches with a November sixteenth that lasts a year. We weren’t staying; no need to synchronize our watches with the local time in Wonderland. November sixteenth means autumn, and on Venus autumn means permanent dusk. No dawn ’til spring. Our rendezvous with our liaison, Aylin Novalis, at the Waldorf on Idun Avenue, went off fine.
Principal photography commenced on the seventeenth—interviews, man-on-the-street stuff with every crazy person who thought that Adonis had been taken by aliens, or God, or Hathor Callowmilk Corporation, or that the villagers had succumbed to religious mania and killed themselves at the climax of some orgiastic cannibalistic ritual coinciding with the Venus-Mercury alignment. The utter bullshit we heard, Miss Brass, I cannot begin to tell you. Every shade and flavour.
We spent three nights in the hotel—the ship’s crew, too. Everything was beautiful, though mostly broken and very damp. Some of the ceiling tiles had fallen down into the lobby. I remember the pink stone columns out front were all sort of pockmarked from the salt air. They looked like an old man’s skin. Even inside, there was pale white moss everywhere like velvet, on the chairs, on the bar, on the walls, on the beds. I think we checked in on a Tuesday. Like today. I suppose that makes it an anniversary. I’ll expect cake with lunch, Miss Brass. And a candle.
Anyway, on our last night in White Peony Station, everyone got out one last pretty thing to wear before we all had to start living in our hiking kit and waterproof socks. We all drank a great deal and gorged on ice cream like a gang of kids after school. Even Arlo seemed to have a good time. He kept trying to remember these dumb jokes, but he couldn’t get them right.
The ceiling dripped onto the plastic tubs we’d hauled over a hundred thousand kilometres, and before I finished my Quandong Ripple my spoon had grown a little fur of moss on it as well. Mariana and Cristabel sang “I Left My Sugar Standing in the Rain” up at a big mouldy baby grand while Aylin played, and pretty well, too. Crissy wore silver sequins. Mariana had a lavender flower in her hair. Maximo fired back with “It Never Rains on Venus” in his old rye-whiskey baritone, and you’d have thought no one in that shabby hotel bar had ever realised the irony of that tune before, the way we laughed while the chandeliers leaked onto our heads. They all tried to get Rinny to sing, but they took the wrong tack. I know my girl. She’ll sing you the moon—no kid raised in a theatre can turn down applause any more than they can turn down a meal. But Van Rooyen—that was our navigator—wanted to hear “Callisto Lullaby.” Too bad, Roo! That’s from
That was the worst Waldorf from Mercury to Pluto, but it felt like the most exciting place we could possibly be. Just us, the old crew. Except Cristabel, who we nabbed right out of film school, before anyone else could snap her up, and Franco, who was barely in long pants, we’d all been together since Saturn. We’d all fucked one another and cried over one another and gotten right with one another again. Maximo taught me how to juggle. I taught Santiago how to play the squeezebox and order a cocktail in eleven languages. Mariana and Severin swam together every morning at dawn in any town with so much as a puddle. Just the two of them, their arms flashing up in the mist, two dark heads like seals heading out to sea.
I can’t imagine many of us slept much that night. I heard Maximo and Mariana going at it already when Rinny and me stumbled by their door on the way to ours. I found out later that Crissy had a thing going with the signalman, Ghanim. That fellow was handsome as a statue and talked like a book, which made him candy for our little AD.