Shades

Bedrik stood up and brushed the grass from his pants. He wandered amongst the tombstones, attuned to the clamoring beneath his feet. Soon, the girl left. The artist slinked after her like a wounded spaniel begging his master’s forgiveness for pissing the rug. The sun followed them both, leaving Bedrik alone in the cemetery. Night fell. Solitude engulfed him—the one exception being the restless dead.

He heard them call out; beg for release in frustrated, pitiful tones for lack of anything else to do. Most did not expect an answer, feared they would never receive one.

“I’ll be back for the rest of you,” he whispered. “But for now, I can take only one. Rules are rules, after all.”

Off in the distance, a small yellow-green light flashed weakly. Then another, a few feet away, then some more further toward the wall, near the trees. Lightning bugs. Miniature will o’ wisps pulsing in the near-summer night.

As a child, Bedrik had collected them in Mason jars, poking holes in the lid so they could breathe. Then he learned to smash their bellies and paint his skin with their guts so that he, too, would glow in the dark.

Just like names, innards contained power.

Bedrik held out his hands and whispered a word. Then he bit down on the inside of his cheek. Blood filled his mouth. He spat the blood onto the grave. Bedrik waited, ignoring the taste in the back of his throat.

The lightning bugs came to him. They were not swift fliers, but he’d had long years to learn patience. Every few seconds, the lights in their bellies flashed, the duration becoming longer, the intensity brighter as more bugs joined together to fly in tight formation. By the time the horde of insects reached him, it traveled as a pulsing ball of yellow light, bright enough to make him squint. Shielding his eyes with his hand, Bedrik spoke another word and the pulsing stopped. The glare stayed steady, hovering before him. He pointed, and the light followed his direction, coming to rest a few feet over Edward T. Rammel’s grave.

Bedrik watched.

A shadow appeared on the ground, right on top of the grave. The shadow turned its head, inspecting its form—the dark suggestions of torso, arms, and legs. It rose as only shadows could—projecting itself onto small clods of grave-dirt, blades of grass, its own headstone. The shade turned to look at its epitaph, then back at Bedrik.

Bedrik looked at the shadow and said, “I bind you, Edward T. Rammel. Your shade will do my bidding, as my own.”

The black shape stared at him with unseen eyes.

“You wanted out of there,” Bedrik explained. “This is the only way I could help you. Trust me. You’ll come to enjoy it. This is your lucky day.”

The shadow knelt before him and sobbed. Invisible tears of gratitude fell, swallowed by the unforgiving night.

“Come,” Bedrik said. “We’ve much to do, you and I.”

Bedrik walked out of the cemetery and down the street. The shadow followed in his footsteps. The streets were crowded, but no one noticed them. No one noticed that Bedrik’s shadow seemed to be a bit darker than others or that it did not follow his movements exactly, that it would, at times, reach out to stroke a woman’s hair, or pause before a store window that did not exist when it was alive. No one noticed that the lightning bugs in Gethsemane Cemetery were hovering over the grave of Edward T. Rammel in one large cluster. No one noticed anything was amiss because Bedrik wished it.

People had such narrow worldviews. They lived their unimportant lives, believed they knew what to do with them, believed they could separate truth from lie and in so doing, live well according to the parameters of a society they did not understand. They looked out on the world through a soda-straw perspective. If the reality could not be fully seen in their microvision, then it was discredited, debunked, and denied. Such was the mentality of the populous today, as it was in millennia past, and would be eons into the future. People were stupid. That truth was as absolute as death and taxes; it was not going to change.

In fact, people like Bedrik counted on it.

Bedrik knew all too well how stupid men were; his brother Martin, for example. So desperate for recognition from his sibling that he’d volunteered to place himself in harm’s way to gain a modicum of Bedrik’s respect. The respect was not forthcoming, but his brother’s fate was grievous. Death usually was.

Martin Bedrik was the bad twin. All his life, he was the case study. He got caught doing things. He made poor choices. Rebelled against his situation of birth; tried to establish himself as an individual, a separate entity from his brother. When they were in high school, Martin got into fights, and was caught selling coke and pot. He was always in trouble for something or another. Michael joined the chess club, played cello in the school orchestra, and was on the yearbook staff. He was sociable and extroverted and got along easily with not only his fellow students, but also the teachers and administrators.