Shakespeare

Montrose, L., The Purpose of Playing (Chicago, 1996)

Mowl, Timothy, Elizabethan and Jacobean Style (London, 1993)

Muir, K., The Sources of Shakespeare’s Plays (London, 1977)

Muir, K. (ed.), Interpretations of Shakespeare (Oxford, 1985)

Mulryne, J.R. and Shewring, Margaret (eds.), Shakespeare’s Globe Rebuilt (Cambridge, 1997)

Mutschmann, H. and Wentersdorf, K., Shakespeare and Catholicism (New York, 1952)

Newdigate, B.H., Michael Drayton and Hit Circle (Oxford, 1941)

Nichol Smith, D. (ed.), Eighteenth-Century Essays on Shakespeare (Oxford, 1963)

Nicholas Knight, W., Shakespeare’s Hidden Life: Shakespeare at the Law 1585-1595 (New York, 1973)

Nicholl, Charles, A Cup of News: The Life of Thomas Nashe (London, 1984)

Nicholl, Charles, The Reckoning: The Murder of Christopher Marlowe, revised edition (London, 2002)

Noble, R., Shakespeare’s Use of Song (London, 1923)

Nolen, Stephanie, Shakespeare’s Face (London, 2003)

Nungezer, Edwin, A Dictionary of Actors (New York, 1971)

Nye, Robert, The Late Mr. Shakespeare: A Novel (London, 1998)

O’Connor, Garry, William Shakespeare: A Popular Life (New York and London, 2000)

Onions, C.T. and Lee, S. (eds.), Shakespeare’s England (Oxford, 1916)

Ordish, T.F., Shakespeare’s London (London, 2004)

Orgel, Stephen, Imagining Shakespeare (Basingstoke, 2003)

Ornstein, R., A Kingdom for a Stage (Cambridge, MA, 1972)

Orrell, J., The Quest for Shakespeare’s Globe (Cambridge, 1983)

Parker, R.B. and Zitner, S.P. (eds.), Elizabethan Theater: Essays in Honor of S. Schoenbaum (Newark, 1996)

Partridge, Eric, Shakespeare’s Bawdy (London, 1968)

Patterson, A., Shakespeare and the Popular Voice (London, 1989)

Payne Collier, J. (ed.), Memoirs of Edward Alleyn (London, 1841)

Payne Collier, J. (ed.), The Alleyn Papers (London, 1843)

Pearson, H., A Life of Shakespeare (Harmondsworth, 1942)

Perry, W. (ed.), The Plays of Nathan Field (Austin, 1950)

Picard, Liza, Elizabeth’s London (London, 2003)

Pitcher, S.M., The Case for Shakespeare’s Authorship of “The Family Histories” (New York, 1961)

Plunket Barton, (Sir) D., Links between Shakespeare and the Law (London, 1929)

Poel, W., Shakespeare in the Theatre (London, 1913)

Pollard, A. W. and Dover Wilson, J., Shakespeare’s Hand in the Play of “Sir Thomas More” (Cambridge, 1923)

Pollock, L.A., Parent-Child Relations from 1500-1900 (Cambridge, 1988)

Price, G.R., Thomas Dekker (New York, 1969)

Pringle, Roger, The Shakespeare Homes (Norwich, n.d.)

Rabkin, Norman, Shakespeare and the Common Understanding (Chicago and London, 1984)

Raleigh, W., Shakespeare (London, 1907)

Reay, B., Popular Culture in Seventeenth-Century London (London, 1985)

Rees, J., Samuel Daniel (Liverpool, 1964)

Reese, M.M., Shakespeare: His World and Hit Work (London, 1953)

Reynolds, G.F., The Staging of Elizabethan Plays at the Red Bull Theatre 1605-1625 (London, 1940)

Reynolds, G.F., On Shakespeare’s Stage (Boulder, 1967)

Ribner, I., The English History Plays (Princeton, NJ, 1957)

Riewald, J.G., “Some Later Elizabethan and Early Stuart Actors and Musicians,” in English Studies xl, no. I (Amsterdam, 1959)

Righter, A., Shakespeare and the Idea of Play (London, 1962)

Roach, J.R., The Player’s Passion (Newark, 1985)

Robertson Davies, W., Shakespeare’s Boy Actors (London, 1939)

Rolfe, W.J., Shakespeare’s Early Life (London, 1897)

Rowse, A.L., Shakespeare’s Southampton (London, 1965)

Rowse, A.L., Shakespeare the Man (Basingstoke and London, 1973)

Salgado, G., Eye-Witnesses of Shakespeare (London, 1975)