Snopes: The Hamlet, The Town, The Mansion

“I reckon it is, if Ratliff gave it up. But I still dont want it.”

“What else could he do with it?” she said. “What else did he ever want?”

“All right,” Houston said. He took the rag. He did not open it. If he had asked how much was in it, she could not have told him since she had never counted it either. Then he said, furious and still out of his calm rigid face: “God damn it, keep them both away from my place. Do you hear?”

That lot was beyond the house from the road; the rear wall of the stable was not in sight from either. It was not directly in view from anywhere in the village proper, and on this September forenoon Ratliff realised that it did not need to be. Because he was walking in a path, a path which he had not seen before, which had not been there in May. Then that rear wall came into his view, the planks nailed horizontally upon it, that plank at head-height prized off and leaning, the projecting nails faced carefully inward, against the wall and no more motionless than the row of backs, the row of heads which filled the gap. He knew not only what he was going to see but that, like Bookwright, he did not want to see it, yet, unlike Bookwright, he was going to look. He did look, leaning his face in between two other heads; and it was as though it were himself inside the stall with the cow, himself looking out of the blasted tongueless face at the row of faces watching him who had been given the wordless passions but not the specious words. When they looked around at him, he already held the loose plank, holding it as if he were on the point of striking at them with it. But his voice was merely sardonic, mild even, familiar, cursing as Houston had: not in rage and not even in outraged righteousness.

“I notice you come to have your look too,” one said.

“Sholy,” Ratliff said. “I aint cussing you folks. I’m cussing all of us,” lifting the plank and fitting it back into the orifice. “Does he—What’s his name? that new one? Lump.—does he make you pay again each time, or is it a general club ticket good for every performance?” There was a half-brick on the ground beside the wall. With it he drove the nails back while they watched him, the brick splitting and shaling, crumbling away onto his hands in fine dust—a dry, arid, pallid dust of the color of shabby sin and shame, not splendid, not magnificent like blood, and fatal. “That’s all,” he said. “It’s over. This here engagement is completed.” He did not wait to see if they were departing. He crossed the lot in the bright hazy glare of the September noon, and the back yard. Mrs Littlejohn was in the kitchen. Again like Houston, he did not need to tell her.

“What do you think I think when I look out that window and watch them sneaking up along that fence?” she said.