Snopes: The Hamlet, The Town, The Mansion

Until some of them anyway would begin to believe that that many voices dinning it at them must be right, and they were heroes. Because, according to Uncle Gavin, who had been a soldier too in his fashion (in the American Field Service with the French army in ’16 and ’17 until we got into it, then still in France as a Y.M.C.A. secretary or whatever they were called), they had nothing else left: young men or even boys most of whom had only the vaguest or completely erroneous idea of where and what Europe was, and none at all about armies, let alone about war, snatched up by lot overnight and regimented into an expeditionary force, to survive (if they could) before they were twenty-five years old what they would not even recognise at the time to be the biggest experience of their lives. Then to be spewed, again willy-nilly and again overnight, back into what they believed would be the familiar world they had been told they were enduring disruption and risking injury and death so that it would still be there when they came back, only to find that it wasn’t there any more. So that the bands and the parades and the barbecues and all the rest of the hero-dinning not only would happen only that once and was already fading even before they could get adjusted to it, it was already on the way out before the belated last of them even got back home, already saying to them above the cold congealing meat and the flat beer while the last impatient brazen chord died away: “All right, little boys; eat your beef and potato salad and drink your beer and get out of our way, who are already up to our necks in this new world whose single and principal industry is not just solvent but dizzily remunerative peace.”

So, according to Gavin, they had to believe they were heroes even though they couldn’t remember now exactly at what point or by what action they had reached, entered for a moment or a second, that heroic state. Because otherwise they had nothing left: with only a third of life over, to know now that they had already experienced their greatest experience, and now to find that the world for which they had so endured and risked was in their absence so altered out of recognition by the ones who had stayed safe at home as to have no place for them in it any more. So they had to believe that at least some little of it had been true. Which (according to Gavin) was the why of the veterans’ clubs and legions: the one sanctuary where at least once a week they could find refuge among the other betrayed and dispossessed reaffirming to each other that at least that one infinitesimal scrap had been so.

In fact (in Jefferson anyway) even the ones that came back with an arm or a leg gone, came back just like what they were when they left: merely underlined, italicised. There was Tug Nightingale. His father was the cobbler, with a little cubbyhole of a shop around a corner off the Square—a little scrawny man who wouldn’t have weighed a hundred pounds with his last and bench and all his tools in his lap, with a fierce moustache which hid most of his chin too, and fierce undefeated intolerant eyes—a Hard-Shell Baptist who didn’t merely have to believe it, because he knew it was so: that the earth was flat and that Lee had betrayed the whole South when he surrendered at Appomattox. He was a widower. Tug was his only surviving child. Tug had got almost as far as the fourth grade when the principal himself told Mr Nightingale it would be better for Tug to quit. Which Tug did, and now he could spend all his time hanging around the auction lot behind Dilazuck’s livery stable, where he had been spending all his spare time anyhow, and where he now came into his own: falling in first with Lonzo Hait, our local horse and mule trader, then with Pat Stamper himself, who in the horse and mule circles not just in Yoknapatawpha County or north Mississippi but over most of Alabama and Tennessee and Arkansas too, was to Lonzo Hait what Fritz Kreisler would be to the fiddle player at a country picnic, and so recognised genius when he saw it. Because Tug didn’t have any piddling mere affinity for and rapport with mules: he was an homme fatal to them, any mule, horse or mare either, being putty in his hands; he could do anything with them except buy and sell them for a profit. Which is why he never rose higher than a simple hostler and handy man and so finally had to become a house painter also to make a living: not a first-rate one, but at least he could stir the paint and put it on a wall or fence after somebody had shown him where to stop.