“We dont work on Sunday,” Goodyhay said. “Come on. Come on.” Then it was Sunday. It was raining: the thin steady drizzle of early fall. A man and his wife called for them, not a pickup this time but a car, hard-used and a little battered. They turned again into a crossroad, not into desolate country this time but simply empty, coming at last to an unpainted box of a building which something somewhere back before the thirty-eight years in the penitentiary recognised, remembered.
“You all take niggers too?” he said.
“We do this one,” Albert said. Goodyhay had already entered the house. The rest of them now moved slowly toward the door, clotting a little. “Her son had it too just like she was a white woman, even if they didn’t put his name on the same side of the monument with the others. See that woman yonder with the yellow hat?” The hat was soiled now but still flash, the coat below it had been white once too, a little flash too; the face between could have been twenty-five and probably at one time looked it, thin now, not quite raddled. “That’s right,” Albert said. “She still looks a little like a whore yet but you should have seen her last spring when she came out of that Catalpa Street house. Her husband commanded an infantry platoon back there when the Japs were running us out of Asia, when we were falling back all mixed up together—Aussies, British, French from IndoChina—not trying to hold anything any more except a line of foxholes after dark, fell long enough to get the stragglers up and move again tomorrow, including the ones in the foxholes too if any of them were still there by daylight. His platoon was the picket that night, him in one foxhole and his section strung out, when the nigger crawled up with the ammunition. He was new, you see. I mean, the nigger. This was as close as he had been to a Jap yet.
“So you know how it is: crouched in the stinking pitch dark in a stinking sweating hole in the ground with your eyes and ears both strained until in another minute they will pop right out of your head like marbles, and all around in front of you the chirping voices like crickets in a hayfield until you realise they aint crickets because pretty soon what they are chirping is English: ‘Maline. Tonigh youdigh. Maline. Tonigh youdigh.’ So here comes the nigger with his sack of grenades and Garand clips and the lieutenant tells him to get down into the hole and puts the nigger’s finger on the trigger of the Garand and tells him to stay there while he crawls back to report to the p.c. or something.