At six oclock that afternoon they were five miles away. He did not know it was that distance. It did not matter; there is no distance in either space or geography, no prolongation of time for distance to exist in, no muscular fatigue to establish its accomplishment. They are moving not toward a destination in space but a destination in time, toward the pinnacle-keep of evening where morning and afternoon become one; the sleight hand of May shapes them both, not in the immediate, the soon, but in the now as, facing her, braced against the pull of the rope, he speaks to her implacable and compelling while she tugs back, shaking her head against the rope and bellowing. She had been doing this for the last half hour, drawn backward and barnward by the discomfort of her bag. But he held her, slacking the rope gradually until his other hand touched her, first her head then her neck, speaking to her until the resistance went out of her and she moved on again. They were in the hills now, among pines. Although the afternoon wind had fallen, the shaggy crests still made a constant murmuring sound in the high serene air. The trunks and the massy foliage were the harps and strings of afternoon; the barred inconstant shadow of the day’s retrograde flowed steadily over them as they crossed the ridge and descended into shadow, into the azure bowl of evening, the windless well of night; the portcullis of sunset fell behind them. At first she would not let him touch her bag at all. Even then she kicked him once, but only because the hands were strange and clumsy. Then the milk came down, warm among his fingers and on his hands and wrists, making a thin sharp hissing on the earth.
There was a moon at that time. It waned nightly westward; juxtaposed to it, each dawn the morning star burned in fierce white period to the night, and he would smell the waking’s instant as she would rise, hindquarters first, backing upward out of invisibility, attenuating then disseminating out of the nest-form of sleep, the smell of milk. Then he would rise too and tie the rope-end to a swinging branch and seek and find the basket by the smell of the feed which it contained last night, and depart. From the edge of the woods he would look back. She would be still invisible, but he could hear her; it is as though he can see her—the warm breath visible among the tearing roots of grass, the warm reek of the urgent milk a cohered shape amid the fluid and abstract earth.
The barn is less than a half mile away. Soon it looms, forthright and square upon the scroll and cryptogram of heaven. The dog meets him at the fence, not barking, furrowing invisibility somewhere between sight and sound, moving completely in neither. On the first morning it rushed at him, yapping furiously. He stopped then. Perhaps he remembered that other dog five miles away, but only for a moment, since such is succeeding’s success, such is that about victory which out-odors the betraying stink of all past defeats: so that now it comes up to him already fawning, invisible and fluid about his walking legs, its warm wet limber tongue shaping for him out of invisibility his own swinging hand.
In the ammoniac density of the barn, filled with the waking dawn-sounds of horses and cattle, he cannot even sense space. But he does not hesitate. He finds the crib door and enters; his sightless hand which knows and remembers finds the feed-box. He sets the basket down and begins to fill it, working steadily and fast, spilling half of what his cupped hands raise, as on the two preceding mornings establishing between feed-box and basket the agent of his own betrayal. When he rises and faces the door, he can see it now, gray, lighter in tone yet paradoxically no more luminous, as if a rectangle of opaque glass had been set into nothing’s self while his back was turned, to further confound obscurity. And now he becomes aware of the birds. The cattle-sounds are louder now, constant; he can actually see the dog waiting in the stable door and he knows that he should hurry, since he knows that soon someone will come to feed and milk. So he leaves the crib, pausing for a moment in the door before descending as though he were listening, breathing in the reek, the odor of cows and mares as the successful lover does that of a room full of women, his the victor’s drowsing rapport with all anonymous faceless female flesh capable of love walking the female earth.