“I heard of a case of two fifteen-year-old boys. They were wearing uniform and were firing away with the rest. But they were taken prisoners. A corporal in hospital told me that. They were wearing soldiers’ uniform, so what could one do. And I myself have seen that there are twelve-year-old boys in the Russian Army, in the band, for instance, wearing uniform. We once (captured) a Russian military band and they played wonderfully. It was almost too much for you. There was such depth of feeling and yearning in their music; it conjured up pictures of the vastness of RUSSIA. It was terrific, it thrilled me through and through. It was a military band. To get back to the story, the two boys were told to get back westward and to keep on the road. If they tried to run into the woods at the first bend of the road they would get a bullet in them. And they were scarcely out of sight when they slunk off the road, and in a flash they had disappeared. A large detachment was immediately sent to look for them, but they couldn’t find them. And then they caught the two boys. Those were the two. (Our people) behaved well and didn’t kill them there and then, they took them before the C.C. [concentration camp] again. Now it was clear that they’d done for themselves. They were made to dig their own graves, two pits, and then one of them was shot. He didn’t fall into the grave, he fell forwards over it. The other was told to push the first one into the pit before he was shot himself. And he did so, smiling—a boy of fifteen! There’s fanaticism and idealism for you”!2
This story, as told by Staff Sergeant Schmid on June 20, 1942, typifies how the soldiers talk in the protocols. As in all everyday conversations, the speaker repeatedly changes the subject, following a chain of associations. In the middle, when Schmid is talking about music, it occurs to him how much he enjoys Russian music, whereupon he briefly describes it before continuing his narrative. Schmid’s anecdote begins harmlessly enough, but turns truly horrific at the end with the execution of the two young Russian soldiers. The narrator reports that not only were the two youths murdered, they were made to dig their own graves. The execution runs into a complication, and that leads to the eventual moral of the story. The young soldier about to be killed proves “fanatic” or “idealistic,” eliciting the staff sergeant’s admiration.