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There is something to be said in excuse for this impatience: It is a hollow mockery to be obliged to deck one's person as for a feast when that feast is to consist of a little asparagus and a few nuts.

Mr. Peters' eye met Ashe's in the mirror.

"Oh, it's you, is it? Come in, then. Don't stand staring. Close that door quick! Hustle! Don't scrape your feet on the floor. Try to look intelligent. Don't gape. Where have you been all this while? Why didn't you come before? Can you tie a tie? All right, then—do it!"

Somewhat calmed by the snow-white butterfly-shaped creation that grew under Ashe's fingers, he permitted himself to be helped into his coat. He picked up the remnant of a black cigar from the dressing-table and relit it.

"I've been thinking about you," he said.

"Yes?" said Ashe.

"Have you located the scarab yet?"

"No."

"What the devil have you been doing with yourself then? You've had time to collar it a dozen times."

"I have been talking to the butler."

"What the devil do you waste time talking to butlers for? I suppose you haven't even located the museum yet?"

"Yes; I've done that."

"Oh, you have, have you? Well, that's something. And how do you propose setting about the job?"

"The best plan would be to go there very late at night."

"Well, you didn't propose to stroll in in the afternoon, did you? How are you going to find the scarab when you do get in?"

Ashe had not thought of that. The deeper he went into this business the more things did there seem to be in it of which he had not thought.

"I don't know," he confessed.

"You don't know! Tell me, young man, are you considered pretty bright, as Englishmen go?"

"I am not English. I was born near Boston."

"Oh, you were, were you? You blanked bone-headed, bean-eating boob!" cried Mr. Peters, frothing over quite unexpectedly and waving his arms in a sudden burst of fury. "Then if you are an American why don't you show a little more enterprise? Why don't you put something over? Why do you loaf about the place as though you were supposed to be an ornament? I want results—and I want them quick!

"I'll tell you how you can recognize my scarab when you get into the museum. That shameless old green-goods man who sneaked it from me has had the gall, the nerve, to put it all by itself, with a notice as big as a circus poster alongside of it saying that it is a Cheops of the Fourth Dynasty, presented"—Mr. Peters choked—"presented by J. Preston Peters, Esquire! That's how you're going to recognize it."

Ashe did not laugh, but he nearly dislocated a rib in his effort to abstain from doing so. It seemed to him that this act on Lord Emsworth's part effectually disposed of the theory that Britons have no sense of humor. To rob a man of his choicest possession and then thank him publicly for letting you have it appealed to Ashe as excellent comedy.

"The thing isn't even in a glass case," continued Mr. Peters. "It's lying on an open tray on top of a cabinet of Roman coins. Anybody who was left alone for two minutes in the place could take it! It's criminal carelessness to leave a valuable scarab about like that. If Lord Jesse James was going to steal my Cheops he might at least have had the decency to treat it as though it was worth something."

"But it makes it easier for me to get it," said Ashe consolingly.

"It's got to be made easy if you are to get it!" snapped Mr. Peters. "Here's another thing: You say you are going to try for it late at night. Well, what are you going to do if anyone catches you prowling round at that time? Have you considered that?"

"No."

"You would have to say something, wouldn't you? You wouldn't chat about the weather, would you? You wouldn't discuss the latest play? You would have to think up some mighty good reason for being out of bed at that time, wouldn't you?"

"I suppose so."

"Oh, you do admit that, do you? Well, what you would say is this: You would explain that I had rung for you to come and read me to sleep. Do you understand?"

"You think that would be a satisfactory explanation of my being in the museum?"

"Idiot! I don't mean that you're to say it if you're caught actually in the museum. If you're caught in the museum the best thing you can do is to say nothing, and hope that the judge will let you off light because it's your first offense. You're to say it if you're found wandering about on your way there."

"It sounds thin to me."

"Does it? Well, let me tell you that it isn't so thin as you suppose, for it's what you will actually have to do most nights. Two nights out of three I have to be read to sleep. My indigestion gives me insomnia." As though to push this fact home, Mr. Peters suddenly bent double. "Oof!" he said. "Wow!" He removed the cigar from his mouth and inserted a digestive tabloid. "The lining of my stomach is all wrong," he added.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука