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Baxter was about to explain that his name was not Freddie when he found himself walking down Piccadilly with Ashe Marson. Ashe said to him: "Nobody loves me. Everybody steals my grapefruit!" And the pathos of it cut the Efficient Baxter like a knife. He was on the point of replying; when Ashe vanished and Baxter discovered that he was not in Piccadilly, as he had supposed, but in an aeroplane with Mr. Peters, hovering over the castle.

Mr. Peters had a bomb in his hand, which he was fondling with loving care. He explained to Baxter that he had stolen it from the Earl of Emsworth's museum. "I did it with a slice of cold beef and a pickle," he explained; and Baxter found himself realizing that that was the only way. "Now watch me drop it," said Mr. Peters, closing one eye and taking aim at the castle. "I have to do this by the doctor's orders."

He loosed the bomb and immediately Baxter was lying in bed watching it drop. He was frightened, but the idea of moving did not occur to him. The bomb fell very slowly, dipping and fluttering like a feather. It came closer and closer. Then it struck with a roar and a sheet of flame.

Baxter woke to a sound of tumult and crashing. For a moment he hovered between dreaming and waking, and then sleep passed from him, and he was aware that something noisy and exciting was in progress in the hall below.

* * *

Coming down to first causes, the only reason why collisions of any kind occur is because two bodies defy Nature's law that a given spot on a given plane shall at a given moment of time be occupied by only one body.

There was a certain spot near the foot of the great staircase which Ashe, coming downstairs from Mr. Peters' room, and George Emerson, coming up to Aline's room, had to pass on their respective routes. George reached it at one minute and three seconds after two a.m., moving silently but swiftly; and Ashe, also maintaining a good rate of speed, arrived there at one minute and four seconds after the hour, when he ceased to walk and began to fly, accompanied by George Emerson, now going down. His arms were round George's neck and George was clinging to his waist.

In due season they reached the foot of the stairs and a small table, covered with occasional china and photographs in frames, which lay adjacent to the foot of the stairs. That—especially the occasional china—was what Baxter had heard.

George Emerson thought it was a burglar. Ashe did not know what it was, but he knew he wanted to shake it off; so he insinuated a hand beneath George's chin and pushed upward. George, by this time parted forever from the tongue, the bread, the knife, the fork, the salt, the corkscrew and the bottle of white wine, and having both hands free for the work of the moment, held Ashe with the left and punched him in the ribs with the right.

Ashe, removing his left arm from George's neck, brought it up as a reinforcement to his right, and used both as a means of throttling George. This led George, now permanently underneath, to grasp Ashe's ears firmly and twist them, relieving the pressure on his throat and causing Ashe to utter the first vocal sound of the evening, other than the explosive Ugh! that both had emitted at the instant of impact.

Ashe dislodged George's hands from his ears and hit George in the ribs with his elbow. George kicked Ashe on the left ankle. Ashe rediscovered George's throat and began to squeeze it afresh; and a pleasant time was being had by all when the Efficient Baxter, whizzing down the stairs, tripped over Ashe's legs, shot forward and cannoned into another table, also covered with occasional china and photographs in frames.

The hall at Blandings Castle was more an extra drawing-room than a hall; and, when not nursing a sick headache in her bedroom, Lady Ann Warblington would dispense afternoon tea there to her guests. Consequently it was dotted pretty freely with small tables. There were, indeed, no fewer than five more in various spots, waiting to be bumped into and smashed.

The bumping into and smashing of small tables, however, is a task that calls for plenty of time, a leisured pursuit; and neither George nor Ashe, a third party having been added to their little affair, felt a desire to stay on and do the thing properly. Ashe was strongly opposed to being discovered and called on to account for his presence there at that hour; and George, conscious of the tongue and its adjuncts now strewn about the hall, had a similar prejudice against the tedious explanations that detection must involve.

As though by mutual consent each relaxed his grip. They stood panting for an instant; then, Ashe in the direction where he supposed the green-baize door of the servants' quarters to be, George to the staircase that led to his bedroom, they went away from that place.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука