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In recent years he’s enjoyed equal success in the science fiction and fantasy fields with his bestselling novel American Gods winning the 2002 Hugo, Nebula, and Bram Stoker Awards, Coraline winning both Hugo (2003) and Nebula (2004), and his story “A Study in Emerald” winning the Hugo in 2004. His novel The Graveyard Book won the Hugo and the Newbery Medal in 2009. He also won the World Fantasy Award for his story with Charles Vess, “A Midsummer Night’s Dream,” and won the International Horror Guild Award for his collection Angels & Visitations: A Miscellany. Gaiman’s other novels include Good Omens (written with Terry Pratchett), Neverwhere, Stardust, and, most recently, Anansi Boys. In addition to Angels & Visitations, his short fiction has been collected in Smoke and Mirrors: Short Fictions & Illusions, Midnight Days, Warning: Contains Language, Creatures of the Night, Two Plays for Voices, and Adventures in the Dream Trade, and Fragile Things. He’s also written Don’t Panic: The Official Hitchiker’s Guide to the Galaxy Companion, A Walking Tour of the Shambles (with Gene Wolfe), Batman and Babylon 5 novelizations, and edited Ghastly Beyond Belief (with Kim Newman), Book of Dreams (with Edward Kramer), and Now We Are Sick: An Anthology of Nasty Verse (with Stephen Jones). His most recent books are The Graveyard Book, and two YA novels, Odd and the Frost Giants, and, with Gris Grimly, The Dangerous Alphabet. A movie based on his novel Stardust was in theaters worldwide in 2007, and an animated movie based on Coraline was in theaters in 2009.

The Thing About Cassandra

So there’s Scallie and me wearing Starsky-and-Hutch wigs, complete with sideburns, at five o’clock in the morning by the side of a canal in Amsterdam. There had been ten of us that night, including Rob, the groom, last seen handcuffed to a bed in the Red Light District with shaving foam covering his nether regions and his brother-in-law giggling and patting the hooker holding the straight razor on the arse, which was the point I looked at Scallie and he looked at me, and he said, “Maximum deniability?” and I nodded, because there are some questions you don’t want to be able to answer when a bride starts asking pointed questions about the stag weekend, so we slipped off for a drink, leaving eight men in Starsky-and-Hutch wigs (one of whom was mostly naked, attached to a bed by fluffy pink handcuffs, and seemed to be starting to think that this adventure wasn’t such a good idea after all) behind us, in a room that smelled of disinfectant and cheap incense, and we went and sat by a canal and drank cans of Danish lager and talked about the old days.

Scallie—whose real name is Jeremy Porter, and these days people call him Jeremy, but he had been Scallie when we were eleven—and the groom to be, Rob Cunningham, had been at school with me. We had drifted out of touch, more or less, had found each other the lazy way you do these days, through Friends Reunited and Facebook and such, and now Scallie and I were together for the first time since we were nineteen. The Starsky-and-Hutch wigs, which had been Scallie’s idea, made us look like we were playing brothers in some made-for-TV movie—Scallie the short, stocky brother with the thick moustache, me, the tall one. Given that I’ve made a significant part of my income since leaving school modeling, I’d add the tall good-looking one, but nobody looks good in a Starsky-and-Hutch wig, complete with sideburns.

Also, the wig itched.

We sat by the canal, and when the lager had all gone we kept talking and we watched the sun come up.

Last time I saw Scallie he was nineteen and filled with big plans. He had just joined the RAF as a cadet. He was going to fly planes, and do double duty using the flights to smuggle drugs, and so get incredibly rich while helping his country. It was the kind of mad idea he used to have all the way through school. Usually the whole thing would fall apart. Sometimes he’d get the rest of us into trouble on the way.

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