Songs of the Dying Earth

The steagle, somehow airborne, floated around the pyre, viewing it from several angles. Its passage brought it within range of the multicolored microcosm of the overworld, which hung in the air, untroubled by the violence wrought nearby. The steagle paused before the orb. Its eyeless face seemed to regard the kaleidoscopic play of colors that moved constantly across the globe’s surface. One of its minor tentacles reached out and stroked the object, paused for a moment as if deciding whether or not it fully approved of the thing’s taste, then curled around it and popped it whole into the steagle’s maw.

The mouth closed, the creature turned toward the rent in the membrane between the planes, and in less time than the man who called himself Grolion would have credited, it was through and gone. The air healed itself, and there was only the burning devastation of the tree and the shattered garden to indicate that anything had happened here,

The man had watched the final act from atop a rise some distance down the road. Here he had found Shalmetz and Groblens. The latter was too winded by the combination of pell-mell flight and a lifelong fondness for beebleberry tarts, but the former had greeted him thusly: “Well, Grolion — if that is even an approximation of your name — you certainly invested that situation with a new dynamic.”

The traveler was in no mood to accept criticism; he answered the remark with a blow that sat Shalmetz down on the roadway, from where he offered no further comments. After a while, he and Groblens made their way back to the village. The other man waited until the eerie flames subsided. Toward evening, when all was still, he crept back to the manse.

The house had collapsed. The hole that had been the crypt was full of stinking char. Of his bag and its contents, he could find no trace. The only object left unscathed was the lead coffin, whose incised runes and symbols had somehow protected it from the otherworldly fire. It was not even warm.

The man used ropes and pulleys to haul the object from the pit. In the same outbuilding that had held the tackle, he found a two-wheeled cart. He lowered the coffin onto the vehicle and pushed it away from the stink and soot of the burned-out fire. He admired the emblems and sigils that decorated its sides and top; he was sure that they were of powerful effect.

When he had wheeled the cart out to the road, he set his fingers to the coffin’s lid and pried it loose. He had hoped for jewels or precious metals; he found only fast-rotting flesh and wet bones, with not even a thumb-ring or an ivory torc to reward his labors. He said a harsh word and threw death’s detritus into a roadside ditch.

Only the coffin itself remained. It might prove useful, if only for the figures carved into it. But now he saw that with the removal of the contents, the signs and characters were fading to nothing.

Still, he believed he could remember most of them. Tomorrow he would carve them into the lead, then cut the soft metal into plaques and amulets. These he could sell at Azenomei Fair, and who knows what possibilities might then arise?

Afterword:

Back in the early sixties, when I was busy becoming a teenager, my eldest brother was into science fiction. He would leave paperbacks and pulp mags around the house, and I would take them up and devour them. One was an issue of Galaxy with a story called “The Dragon Masters” by someone named Jack Vance. I read it and was transported. As I moved toward my twenties, whenever I had nickels and dimes enough, I would haunt used bookstores, vacuuming up sf as fast as I could. Any day that I came across a new Vance book or a mag with a new Vance story was a good day.

By my mid-thirties, I had pretty much stopped reading sf in favor of crime fiction. But I still bought and read anything new by Vance; once, when I was supposed to be on vacation, I lay on a hotel bed and did nothing all day but read Suldrun’s Garden, the first Lyonesse book. Now, forty-five years after I first encountered him, Jack Vance is the only author I reread, and I never cease to fall under the spell.

In a well run world, prominent geographical features and wide, impressive plazas and boulevards would bear his name.

— Matthew Hughes

Terry Dowling The Copsy Door