Сотворение мира в иконографии средневекового Запада. Опыт иконографической генеалогии

Mac Gurk P. An Anglo-Saxon Bible fragment of the Late VIII Century Royal I E.VI // Journal of Warburg and Courtaud Institute. 1962. Vol. XXV. P. 18–34.

Mentré M. Création et Apocalypse. Paris: Oeuil, 1984.

Neuss W. Die Catalanische bibelillustration um die Wende des ersten Jahrhunderts und die altspanischen Buchmalerei. Leipzig, 1922.

Nordstrom C.-O. Rabbinic features in Byzantine and Catalan art // Cahiers Archéologiques. 1965. Vol. XV. P. 179–205.

Raw В. The probable derivation of most of the illustrations in Junius 11 from an illustrated Old Saxon Genesis // Anglo-Saxon England. 1976. № 5. P. 133–148.

Williams J. A Castilian Tradition of Bible Illustration. The Romanesque Bible from San Milan // Journal of the Warburg and Courtaud Institute. 1965. Vol. XXVIII. P. 66–85.

Withers В. C. A «Secret and Feverish Genesis»: The Prefaces of the Old English Hexateuch // The Art Bulletin. 1999. Vol. 81. № 1. P. 53–71.

Wormald F. The miniatures in the Gospel of St. Augustine (Cambridge; Christi College MS 286) // Wormald F. Collected writings. 1. Studies in Medieval art from the 6 to the 12 centuries. Oxford: Oxford University press, 1984. P. 13–36.

6 в. Памятники Раннего Средневековья и каролингского периода

Benson G. R., Tselos D. T. New light on the origin of the Utrecht Psalter // The Art Bulletin. 1931. Vol. XIII. P. 12–79.

Bertelli G. Il ciclo pittorico della grotta // La grotta del Peccato Originale a Matera. La gravina, la grotta, gli affreschi, la cultura materiale. Bari: Adda editore, 2013. P. 63–126.

Caprara R. Tradizione longobarda nella pittura della chiesa rupestre del Peccato Originale a Matera // IV convegno nazionale su «Le presenze longobarde nelle regioni d’ Italia». Cosenza, 2013. P. 1–16.

Davis-Weyer C. «Aperit quod ipse signaverat testamentum»: Lamm und Lôwe im Apokalypsebild der Grandval-Bibel // Studien zur mittelalterichen Kunst 800–1250. Festschrift fur Florentine Mutherich zum 70 Geburstag. München, 1985. P. 67–74.

DeWald E. T. The illustrations of the Utrecht Psalter. Princeton: Princeton University Press, 1932.

Diebold W. The anxiety of influence in Early Medieval art: the Codex aureus of Charles the Bald in Ottonian Regensburg // Under the influence: the concept of influence and the study of illuminated manuscripts. Brügge: Brepols, 2007. P. 51–64.

Dodwell C. R. The final Copy of the Utrecht Psalter // Scriptorium. 1990. Vol. XLIV. P. 21–53.

Dufrenne S. Les Illustrations du Psautier d’ Utrecht. Sources et apport Carolingien. Paris: Ophrys, 1978

Dufrenne S. Les copies anglaises du psaurier d’Utrecht // Scriptorium. 1964. Vol. XVIII. P. 185–197.

Dutton E., Kessler H. L. The Poetry and Paintings of the First Bible of Charles the Bald. Ann Arbor: University of Michigan Press, 1997.

Gibson-Wood C. The Utrecht Psalter and the Art of Memory // Revue d’art Canadienne. 1987. XIV (№ 1–2). P. 9–15.

Heimann A. The Last Copy of the Utrecht Psalter // The Year 1200. A Symposium. NY.: Metropolitan Museum of Art, 1975. P. 313–338.

Kessler H. L. The Illustrated Bibles from Tours. Princeton, 1977.

Kessler H. L. Hic homo formatur. The Genesis frontispieces of the Carolingian Bibles // Art Bulletin 1971. Vol. LIII. P. 143–160.

Kessler H. L. Pictures as Scriptures in five-century church // Studia artium orientalis et occidentalis. Vol. II. 1985. P. 17–31.

Klein P. Les images de la Genèse de la Bible Carolingienne de Bamberg et la tradition des frontispices de Tours // Texte et image. Actes du Colloque international de Chantilly. Paris: Les Belles Lettres, 1984. P. 77–107.

Koehler W. Die karolingischen Miniaturen. I. Die Schule von Tour. Berlin, 1930–1933.

Mac Gurk P. An Anglo-Saxon Bible fragment of the Late VIII Century Royal I E.VI // Journal of Warburg and Courtaud Institute. 1962. Vol. XXV. P. 18–34.

Panofsky D. The textual Basis of the Utrecht psalter Illustrations // The Art Bulletin. 1943. Vol. XXV. P. 50–59

St. Clair A. A New Moses: Typological Iconography in the Moutier-Grandval Bible illustrations of Exodus // Gesta. 1987. Vol. XXVI/1. P. 19–28.

Tselos D. English Manuscript illumination and the Utrecht Psalter // Art Bulletin. 1959. Vol. VI. № 2. P. 137–149.

Van der Horst K. Utrecht Psalter in Medieval Art: Picturing the Psalms of David. London: Hes & De Graff, 1996.

6 г. Памятники романского периода, в том числе атлантовские, или гигантские, Библии

Alidori Battaglia L. Illustrazione e decorazione delle Bibbie atlantiche toscane // Les Bibles atlantiques. Le manuscrit biblique à l’époque de la réforme de l’église du Xie siècle. Firenze, 2016. P. 109–128.