With Carnival week nearing, in Paris, more than a century ago, the Count de Morny invited to a fancy ball at his house “une noble dame que la Russie a prêtée cet hiver à la France” (as reported by Henrys in the Gazette du Palais section of the Illustration, 1859, p. 251). This was Nina, Baroness von Korff, whom I have already mentioned; the eldest of her five daughters, Maria (1842–1926), was to marry in September of the same year, 1859, Dmitri Nikolaevich Nabokov (1827–1904), a friend of the family who was also in Paris at the time. In view of the ball, the lady ordered for Maria and Olga, flower-girl costumes, at two hundred and twenty francs each. Their cost, according to the glib Illustration reporter, represented six hundred and forty-three days “de nourriture, de loyer et d’entretien du père Crépin [food, rent and footwear],” which sounds odd. When the costumes were ready, Mme de Korff found them “trop décolletés” and refused to take them. The dressmaker sent her huissier (warrant officer), upon which there was a bad row, and my good great-grandmother (she was beautiful, passionate and, I am sorry to say, far less austere in her private morals than it would appear from her attitude toward low necklines) sued the dressmaker for damages.
She contended that the demoiselles de magasin who brought the dresses were “des péronnelles [saucy hussies]” who, in answer to her objecting that the dresses were cut too low for gentlewomen to wear, “se sont permis d’exposer des théories égalitaires du plus mauvais goût [dared to flaunt democratic ideas in the worst of taste]”; she said that it had been too late to have other fancy dresses made and that her daughters had not gone to the ball; she accused the huissier and his acolytes of sprawling on soft chairs while inviting the ladies to take hard ones; she also complained, furiously and bitterly, that the huissier had actually threatened to jail Monsieur Dmitri Nabokoff, “Conseiller d’État, homme sage et plein de mesure [a sedate, self-contained man]” only because the said gentleman had attempted to throw the huissier out of the window. It was not much of a case but the dressmaker lost it. She took back her dresses, refunded their cost and in addition paid a thousand francs to the plaintiff; on the other hand, the bill presented in 1791 to Christina by her carriage maker, a matter of five thousand nine hundred forty-four livres, had never been paid at all.
Dmitri Nabokov (the ending in ff was an old Continental fad), State Minister of Justice from 1878 to 1885, did what he could to protect, if not to strengthen, the liberal reforms of the sixties (trial by jury, for instance) against ferocious reactionary attacks. “He acted,” says a biographer (Brockhaus’ Encyclopedia, second Russian edition), “much like the captain of a ship in a storm who would throw overboard part of the cargo in order to save the rest.” The epitaphical simile unwittingly echoes, I note, an epigraphical theme—my grandfather’s earlier attempt to throw the law out of the window.