Sollogub, Count Vladimir, 38, 69, 70, 72, 200
Sologub, Fyodor, 150, 158
Soloviev-Sedoi, Vassily, 487
Solzhenitsyn, Alexander, 420, 488, 543-44
Somov, Konstantin, 122, 181, 225, 317
Sosnora, Viktor, 526, 528
Soutine, Chaim, 183
Spendiarov, Alexander, 343
Spessivtseva, Olga, 294-95
Stalin, Joseph: and Akhmatova, 415-16, 468-70; and award to city of Leningrad, 445; compared with Nicholas I, 42; cultural deprivation of Leningrad after World War II, xvi, 449-54, 463, 465, 468-70, 538; death of, 43, 311, 478, 479-80; and film industry, 451-52, 454, 457-60, 464; and Great Terror in Leningrad, xvi, 414-22, 459-60, 522; interest in Glinka, 65, 66;on Ivan the Terrible and Peter the Great, 451-52; and Kirov assassination, 414; and the Kirov Ballet, 502; and
Stasov, Vladimir, 74, 77, 78, 83, 90, 97, 98, 103, 131, 348
State Institute of Arts Culture (GINKHUK), 369
Steinberg, Maximilian, 341, 354, 357, 371
Steiner, Rudolf, 217
Stepnyak-Kravchinsky, Sergei, 47, 91-92
Sterligov, Vladimir, 486, 495-97
Sterne, Lawrence, 385-86
Stokowski, Leopold, 355
Stolypin, Pyotr, 362
Stoppard, Tom, 518
Strauss, Johann, Jr., 69
Strauss, Richard, 201, 347-48, 350, 355
Stravinsky, Fyodor, 110
Stravinsky, Igor: and Akhmatova, 511; autobiographical books by, 325-26, 330, 511; and Balanchine, 70, 315, 316, 325, 328-30; and ballet revolution, 501; Communist view of, 342, 488-89; compared with Nabokov, 321, 324-26; death of, 322; Glazunov on, 350; and Glinka, 65, 69; move to United States, xviii, 321-22, 324-25, 369; in Mravinsky’s repertoire, 484; performance of works in Leningrad, 370, 371; politics of, 318; rehabilitation of, and visit to Russia, 489, 504, 506; and Rimsky-Korsakov, 341, 344-45, 350, 352-53; and St. Petersburg, 326; and Shostakovich, 355, 370, 432; and Tchaikovsky, 100, 318-19, 325, 356; in Yudina’s repertoire, 367, 368, 370—works:
Stravinsky, Vera, 191
Stray Dog, The, 186-91, 194-96, 273, 276, 287-88, 405
Sudeikin, Sergei, 187, 191
Suetin, Nikolai, 283
Sumarokov, Alexander, 16
Suprematism, 278, 412, 486
Suvorin, Alexei, 110, 154
Sviatopolk-Mirsky, Prince Dmitri.
Sviridov, Georgy, 546
Symbolism, 127, 135, 150, 151, 155-58, 162, 168, 174, 177-80, 186, 214, 218, 412, 413, 538
Taglioni, Marie, 251
Tatlin, Vladimir, 270, 271, 279-81, 284, 286, 288, 315, 367, 369-70, 412, 494
Tavener, John, 488
Tchaikovsky, Modeste, 119
Tchaikovsky, Peter: and Akhmatova, 511; and Alexander III, 96; on Alexander II’s murder, 93-94; and Balanchine, 70, 99-100, 114, 118, 295, 306, 329, 330, 515; Benois on, 59; Communist view of, 319, 372; death of, 128; and Diaghilev, 123, 124, 318-19; and Dostoyevsky, 116-17, 126; and Glinka, 91, 343; and Mighty Five, 97-98, 126; in Mravinsky’s repertoire, 483; Nikisch as interpreter of, 147; on Petersburg, 137-38; at Petersburg Conservatory, 74, 111, 343; reputation and popularity of, 97, 355, 356, 489; and Shostakovich, 353, 356, 408-09; and Stravinsky, 100, 318-19, 325, 356—works:
Tcherepnin, Nikolai, 343
Teatralnaya (Theater) Street, 42, 247, 255
Telyakovsky, Vladimir, 192-93, 199, 256, 263
Temirkanov, Yuri, 546
Tenisheva, Princess Maria, 131
Terentyev, Igor, 399, 412
Tertz, Abram, xiii
Theater of Worker Youth (TRAM), 399-401, 490
Theuriet, André, 166, 167