Читаем Stories: All-New Tales полностью

The game show host, who’s not Alex Trebek, he waves one arm, and a whole part of the stage starts to move. It’s not an earthquake, but one whole wall rolls on invisible wheels, all the lights everywhere flashing on and off, only fast, just blink, blink, blink, except faster than a human mouth could say. This whole big back wall of the stage slides to one side, and from behind it steps out a giant fashion model blazing with about a million-billion sparkles on her tight dress, waving one long, skinny arm to show you a table with eight chairs like you’d see in somebody’s dining room on Thanksgiving with a big cooked turkey and yams and everything. Her fashion-model waist, about as big around as somebody’s neck. Each of her tits, the size of your head. Those flashing Las Vegas kind of lights blinking all around. The big voice saying who made this table, out of what kind of wood. Saying the suggested retail price it’s worth.

To win, the host lifts up this little box. Like a magician, he shows everybody what’s underneath—just this whole thing of bread in its naturally occurring state, the way bread comes before it’s made into anything you can eat like a sandwich or French toast. Just this bread, the whole way your mom might find it at the farm or wherever bread grows.

The table and chairs are totally, easily yours, except you have to guess the price of this big bread.

Behind you, all the Zeta Delts crowd really close together in their T-shirts, making what looks like one giant, red pucker in the middle of the studio audience. Not even looking at you, all their haircuts are just huddled up, making a big, hairy center. It’s like forever later when your phone rings, and a Zeta Delt voice says what to bid.

That bread just sitting there the whole time. Covered in a brown crust. The big voice says it’s loaded with ten essential vitamins and minerals.

The old game show host, he’s looking at you like maybe he’s never, ever seen a telephone before. He goes, “And what do you bid?”

And you go, “Eight bucks?”

From the look on the old grandma’s face, it’s like maybe they should call some paramedics for her heart attack. Dangling out of one sweatshirt cuff, this crumpled scrap of Kleenex looks like leaked-out stuffing, flapping white, like she’s some trashed teddy bear somebody loved too hard.

To cut you off using some brilliant strategy, the United States Marine, the bastard, he says, “Nine dollars.”

Then to cut him off, the rocket science guy says, “Ten. Ten dollars.”

It must be some trick question, because the old grandma says, “One dollar and ninety-nine cents,” and all the music starts, loud, and the lights flash on and off. The host hauls the granny up onto the stage, and she’s crying and plays a game where she throws a tennis ball to win a sofa and a pool table. Her grandma face looks just as smashed and wrinkled as that Kleenex she pulls out from her sweatshirt cuff. The big voice calls another granny to take her place, and everything keeps rushing forward.

The next round, you need to guess the price of some potatoes, but like a whole big thing of real, alive potatoes, from before they become food, the way they come from the miners or whoever that dig potatoes in Ireland or Idaho or some other place starting with an I. Not even made into potato chips or French fries.

If you guess right, you get some big clock inside a wood box like a Dracula coffin standing on one end, except with these church bells inside the box that ding-ding whatever time it is. Over your phone, your mom calls it a grandfather clock. You show it to her on video, and she says it looks cheap.

You’re onstage with the TV cameras and lights, all the Zeta Delts call-waiting you, and you cup your phone to your chest and go, “My mom wants to know, do you have anything nicer I could maybe win?”

You show your mom those potatoes on video, and she asks: Did the old host guy buy them at the A&P or the Safeway?

You speed-dial your dad, and he asks about the income-tax liability.

Probably it’s the Hello Kitty, but the face of this big Dracula clock just scowls at you. It’s like the secret, hidden eyes; the eyelids open up, and the teeth start to show, and you can hear about a million-billion giant, alive cockroaches crawling around inside the wood box of it. The skin of all the supermodels goes all waxy, smiling with their faces not looking at anything.

You say the price your mom tells you. The United States Marine says one dollar more. The rocket science guy says a dollar higher than him. Only, this round—you win.

All those potatoes open their little eyes.

Перейти на страницу:

Похожие книги

«Если», 2000 № 11
«Если», 2000 № 11

ФАНТАСТИКАЕжемесячный журналСодержание:Аллен Стил. САМСОН И ДАЛИЛА, рассказКир Булычёв. ПОКОЛЕНИЕ БРЭДБЕРИ, предисловие к рассказуМаргарет Сент-Клер. ДРУГАЯ ЖИЗНЬ, рассказСергей Лукьяненко. ПЕРЕГОВОРЩИКИ, рассказВидеодром*Герой экрана--- Дмитрий Байкалов. ИГРА НА ГРАНИ, статья*Рецензии*Хит сезона--- Ярослав Водяной. ПОРТРЕТ «НЕВИДИМКИ», статья*Внимание, мотор!--- Новости со съемочной площадкиФриц Лейбер. ГРЕШНИКИ, романЛитературный портрет*Вл. Гаков. ТЕАТР НА ПОДМОСТКАХ ВСЕЛЕННОЙ, статьяКим Ньюман. ВЕЛИКАЯ ЗАПАДНАЯ, рассказМайкл Суэнвик. ДРЕВНИЕ МЕХАНИЗМЫ, рассказРозмари Эджхилл. НАКОНЕЦ-ТО НАСТОЯЩИЙ ВРАГ! рассказКонсилиумЭдуард Геворкян. Владимир Борисов: «ЗА КАЖДЫМ МИФОМ ТАИТСЯ ДОЛЯ РЕАЛЬНОСТИ» (диалоги о фантастике)Павел Амнуэль. ВРЕМЯ СЛОМАННЫХ ВЕЛОСИПЕДОВ, статьяЕвгений Лукин. С ПРИВЕТОМ ИЗ 80-Х, эссеАлександр Шалганов. ПЛЯСКИ НА ПЕПЕЛИЩЕ, эссеРецензииКрупный план*Андрей Синицын. В ПОИСКАХ СВОБОДЫ, статья2100: история будущего*Лев Вершинин. НЕ БУДУ МОЛЧАТЬ! рассказФантариумКурсорPersonaliaОбложка И. Тарачкова к повести Фрица Лейбера «Грешники».Иллюстрации О. Васильева, А. Жабинского, И. Тарачкова, С. Шехова, А. Балдин, А. Филиппова. 

МАЙКЛ СУЭНВИК , Павел (Песах) Рафаэлович Амнуэль , Розмари Эджхилл , Сергей Васильевич Лукьяненко , Эдуард Вачаганович Геворкян

Фантастика / Журналы, газеты / Научная Фантастика