Spencer 1936 –
Spoerri 1999 –
Steinert 1984 –
Thanatologien, Thanatopoetik 2007 – Thanatologien, Thanatopoetik, der Tod des Dichters, Dichter des Todes (Tagung München 2006) / Hrsg. A. A. Hansen-Löve. München; Wien; Bamberg: Sagner, 2007.
The Meaning of Death 1959 – The Meaning of Death / Ed. H. Feifel. New York; Toronto; London: McGraw-Hill, 1959.
The New Encyclopaedia Britannica 1991 – The New Encyclopaedia Britannica. Chicago a. o.: Encyclopaedia Britannica, 1991.
The Oxford English Dictionary 1978 – The Oxford English Dictionary. Oxford: Clarendon Press, 1978.
The Thanatology Community 1992 – The Thanatology Community and the Needs of the Movement / Ed. E. J. Clark, A. H. Kutscher. New York: Haworth Press, 1992.
Todd 1993 –
Triller 1937 –
Tristram 1976 –
Valdés 1964 –
Vermeule 1979 –
Weiblichkeit und Tod 1987 – Weiblichkeit und Tod in der Literatur / Hrsg. R. Berger. Köln: Böhlau, 1987.
Wentzlaff-Eggebert 1970 –
Wentzlaff-Eggebert 1975 –
Wheeler 1990 –
Williams 1976 –
Wolfram 1986 –
Roman Krasilnikov
Thanatological motifs in literature (Introduction to philological thanatology)
The monography is a comprehensive research of the functioning of thanatological motifs in the fiction. Referring to the rich tradition of studying the problem of death in the humanitarian thanatology and literary criticism, the author identifies a specific area of knowledge – literary thanatology designed to identify and systematize thanatological elements in the literature. A supporting point for literary elaborations in this sphere is the theory of motive, which allows to focus on the role of one component of the text in organization of the work, the author’s creative system and even historically conditioned artistic paradigm. The logic of the study is dictated by the semiotic approach to motivic analysis: we study the semantics, the syntactic and the pragmatic of thanatological elements. In the context of these semiotic areas the features of representation of thanatological motives, their participation in organization of the plot, in creating of characters, interacting with different art paradigms, aesthetic categories, etc. are considered.
The book is addressed to philologists, philosophers and anyone interested in questions of literary criticism and humanitarian thanatology.