haunted Catherine’s mind. The more she wept, the more she felt
like laughing. Official mourning was to go on for forty days. All
the ladies of quality vied in prayers and lamentations; Catherine
held her own superbly in this contest of sighing and sobbing. But
suddenly, another grief struck her heart. Four weeks after the de-
mise of her husband, while the entire city was preparing his
sumptuous funeral, her younger daughter Natalya (six and a half
years old) succumbed to measles. This inconspicuous, almost in-
significant death, coming on top of the tremendous impact of the
death of Peter the Great, fully convinced Catherine that her fate
was exceptional, in suffering as well as in success. She immedi-
ately decided to bury on the same day the father, wreathed in
glory of historic proportions, and the little girl who had never had
time to taste the happiness and the constraints of a woman’s life.
Announced by heralds at the four corners of the capital, the dou-
ble funeral was to take place on March 10, 1725, in the Cathedral
of SS Peter and Paul.
All along the route of the procession, the façades of the
houses were draped in black. Twelve colonels of high stature bore
His Majesty’s imposing coffin, which was sheltered to some ex-
tent from the gusts of snow and hail by a canopy of gilt brocade
< 11 >
and green velvet. Natalya’s little coffin accompanied it under a
canopy of gilt fabric decorated with plumes of red and white
feathers. Behind them the priests advanced, preceding a host of
sacred banners and icons. Finally came Catherine I, in deep
mourning, her gaze lowered. The inevitable Serene Prince Men-
shikov and the Lord High Admiral Apraxin supported her falter-
ing steps. Her daughters Anna and Elizabeth were escorted by
the Grand Chancellor Golovkin, General Repnin and Count Tol-
stoy. All the highest dignitaries, the greatest members of the no-
bility, the most decorated generals, and the foreign princes and
diplomats who were visiting the court, followed the cortege, ar-
ranged according to seniority, heads bared, treading to the rhythm
of funeral music punctuated with drum rolls. The guns thun-
dered, the bells tolled, the wind caught at the wigs of the high and
mighty — who had to hold onto them with their hands. After
two hours of walking in the cold and the storm, the arrival at the
church seemed like a deliverance. The immense cathedral sud-
denly looked too small to contain this exhausted and tear-stained
crowd. And then, in the nave illuminated by thousands of can-
dles, another torment began. The liturgy was crushingly slow.
Catherine called on all her reserves of energy not to weaken.
With equal fervor, she bade farewell to the prestigious husband
who had made her a gift of Russia and to the innocent child whom
she would never again see smiling as she awoke from sleep.
But, if Natalya’s death wrung her heart like the sight of a
bird fallen from the nest, that of Peter exalted her like an invita-
tion to the astonishments of a legendary destiny. Born to be last,
she had become first. Whom should she thank for this fortune,
God or her husband? Or both, according to the circumstances?
Plunged into this solemn interrogation, she heard the voice of the
archbishop of Pskov, Feofan (Theophanes) Prokopovich, pro-
nouncing the funeral oration. “What has befallen us, O men of
< 12 >
Russia? What are we seeing? What are we doing? It is Peter the
Great whom we are burying!” And, in conclusion, this comforting
prophecy: “Russia will go on as he molded it!”
At these words, Catherine raised her head. She had no
doubt that, in uttering this sentence, the priest was transmitting a
message to her from beyond the tomb. By turns exalted and
frightened at the prospect of the days to come, she found herself
stifling in the crowd. But, exiting the church, she found the square
looked vaster, emptier, more inhospitable than before. The snow
was coming down harder. Even though flanked by her daughters
and friends, Catherine felt acutely alone, lost in an unknown land.
It was as though the absence of Peter had paralyzed her. It would
take all her courage to face the reality of a Russia with no future
and no master.
< 13 >
Footnotes
1. According to legend, Monomakh’s Cap (the oldest crown in the Russian
treasury) was a gift from the Byzantine emperor Constantine IX
Monomachus to his grandson Vladimir II Monomakh, grand prince of
Kiev (1113-1125).
2. Villebois:
3. In the 18th century, Russia was still using the Gregorian calendar, so that
this date is 11 days behind the date shown by the Julian calendar cur-
rently in use.
< 14 >
II
CATHERINE’S REIGN: A FLASH OF FLAMBOYANCE
Catherine I was almost fifty. She had lived so much, loved so
much, laughed so much, drunk so much — but she was never sat-
isfied. Those who knew her during this period of ostentatious