The Accidental Tourist

If they were artists, why, she had to give a party and get all her friends to buy their paintings. If they flew small planes on weekends, she had to start pilot's lessons. If they were political, there she was on street corners thrusting petitions on passersby. Her children were too young to worry about the men themselves, if there was any reason to worry. No, it was her enthusiasm that disturbed them. Her enthusiasm came in spurts, a violent zigzag of hobbies, friends, boyfriends, causes. She always seemed about to fall over the brink of something. She was always going too far. Her voice had an edge to it, as if at any moment it might break. The faster she talked and the brighter her eyes grew, the more fixedly her children stared at her, as if willing her to follow their example of steadiness and dependability.

"Oh, what is it with you?" she would ask them. "Why are you such sticks?"

And she would give up on them and flounce off to meet her crowd. Rose, the baby, used to wait for her return in the hall, sucking her thumb and stroking an old fur stole that Alicia never wore anymore.

Sometimes Alicia's enthusiasm turned to her children-an unsettling experience. She took them all to the circus and bought them cotton candy that none of them enjoyed. (They liked to keep themselves tidy.) She yanked them out of school and enrolled them briefly in an experimental learning community where no one wore clothes. The four of them, chilled and miserable, sat hunched in a row in the common room with their hands pressed flat between their bare knees. She dressed as a witch and went trick-or-treating with them, the most mortifying Halloween of their lives, for she got carried away as usual and cackled, croaked, scuttled up to strangers and shook her ragged broom in their faces. She started making mother-daughter outfits for herself and Rose, in strawberry pink with puffed sleeves, but stopped when the sewing machine pierced her finger and made her cry. (She was always getting hurt. It may have been because she rushed so.) Then she turned to something else, and something else, and something else. She believed in change as if it were a religion. Feeling sad? Find a new man! Creditors after you, rent due, children running fevers? Move to a new apartment! During one year, they moved so often that every day after school, Macon had to stand deliberating a while before setting out for home.

In 1950, she decided to marry an engineer who traveled around the world building bridges. "Portugal. Panama. Brazil," she told the children.

"We'll finally get to see our planet." They gazed at her stonily. If they had met this man before, they had no recollection of it. Alicia said, "Aren't you excited?" Later-it may have been after he took them all out to dinner-she said she was sending them to live with their grandparents instead. "Baltimore's more suitable for children, really," she said. Did they protest? Macon couldn't remember. He recalled his childhood as a glassed-in place with grown-ups rushing past, talking at him, making changes, while he himself stayed mute. At any rate, one hot night in June Alicia put them on a plane to Baltimore. They were met by their grandparents, two thin, severe, distinguished people in dark clothes. The children approved of them at once.

After that, they saw Alicia only rarely. She would come breezing into town with an armload of flimsy gifts from tropical countries. Her print dresses struck the children as flashy; her makeup was too vivid, like a foreigner's. She seemed to find her children comical-their navy-and-white school uniforms, their perfect posture. "My God! How stodgy you've grown!" she would cry, evidently forgetting she'd thought them stodgy all along. She said they took after their father. They sensed this wasn't meant as a compliment. (When they asked what their father had been like, she looked down at her own chin and said, "Oh, Alicia, grow up.") Later, when her sons married, she seemed to see even more resemblance, for at one time or another she'd apologized to all three daughters-in-law for what they must have to put up with. Like some naughty, gleeful fairy, Macon imagined, she darted in and out of their lives leaving a trail of irresponsible remarks, apparently never considering they might be passed on. "I don't see how you stay married to the man," she'd said to Sarah.

She herself was now on her fourth husband, a rock-garden architect with a white goatee.

It was true the children in the portrait seemed unrelated to her. They lacked her blue-and-gold coloring; their hair had an ashy cast and their eyes were a steely gray. They all had that distinct center groove from nose to upper lip. And never in a million years would Alicia have worn an expression so guarded and suspicious.