The Accidental Tourist

“I’ve been awake for hours,” he told her, for there was something vague about her that caused her brothers to act put-upon and needy whenever she chanced to focus on them. She was pretty in a sober, prim way, with beige hair folded unobtrusively at the back of her neck where it wouldn’t be a bother. Her figure was a very young girl’s, but her clothes were spinsterly and concealing.

She wrapped him in his bathrobe and helped him stand up. Now his leg actively hurt. It seemed the pain was a matter of gravity. A throbbing ache sank slowly down the length of the bone. With Rose supporting him on one side and a crutch on the other, he hobbled out of the sun porch, through the living room with its shabby, curlicued furniture. The dog kept getting underfoot. “Maybe I could stop and rest a moment,” Macon said when they passed the couch.

“It’s only a little farther.”

They entered the pantry. Rose opened the bathroom door and helped him inside. “Call me when you’re ready,” she said, closing the door after him. Macon sagged against the sink.

At breakfast, Porter was cheerily talkative while the others ate in silence. Porter was the best-looking of all the Learys — more tightly knit than Macon, his hair a brighter shade of blond. He gave an impression of vitality and direction that his brothers lacked. “Got a lot to do today,” he said between mouthfuls. “That meeting with Herrin, interviews for Dave’s old job, Cates flying in from Atlanta. ”

Charles just sipped his coffee. While Porter was already dressed, Charles still wore his pajamas. He was a soft, sweet-faced man who never seemed to move; any time you looked at him he’d be watching you with his sorrowful eyes that slanted downward at the outer corners.

Rose brought the coffeepot from the stove. “Last night, Edward woke me twice asking to go out,” she said. “Do you think he has some sort of kidney problem?”

“It’s the adjustment,” Macon said. “Adjustment to change. I wonder how he knows not to wake me.”

Porter said, “Maybe we could rig up some sort of system. One of those little round pet doors or something.”

“Edward’s kind of portly for a pet door,” Macon said.

“Besides,” Rose said, “the yard’s not fenced. We can’t let him out on his own if he’s not fenced in.”

“A litterbox, then,” Porter suggested.

“Litterbox! For a dog?”

“Why not? If it were big enough.”

Macon said, “Use a bathtub. The one in the basement. No one goes there anymore.”

“But who would clean it?”

“Ah.”

They all looked down at Edward, who was lying at Rose’s feet. He rolled his eyes at them.

“How come you have him, anyway?” Porter asked Macon.

“He was Ethan’s.”

“Oh. I see,” Porter said. He gave a little cough. “Animals!” he said brightly. “Ever considered what they must think of us? I mean, here we come back from the grocery store with the most amazing haul — chicken, pork, half a cow. We leave at nine and we’re back at ten, evidently having caught an entire herd of beasts. They must think we’re the greatest hunters on earth!”

Macon leaned back in his chair with his coffee mug cupped in both hands. The sun was warming the breakfast table, and the kitchen smelled of toast. He almost wondered whether, by some devious, subconscious means, he had engineered this injury — every elaborate step leading up to it — just so he could settle down safe among the people he’d started out with.

Charles and Porter left for the factory, and Rose went upstairs and ran the vacuum cleaner. Macon, who was supposed to be typing his guidebook, struggled back to the sun porch and collapsed. Since he’d come home he’d been sleeping too much. The urge to sleep was like a great black cannonball rolling around inside his skull, making his head heavy and droopy.

On the wall at the end of the room hung a portrait of the four Leary children: Charles, Porter, Macon, and Rose, clustered in an armchair. Their grandfather had commissioned that portrait several years before they came to live with him. They were still in California with their mother — a giddy young war widow. From time to time she sent snapshots, but Grandfather Leary found those inadequate. By their very nature, he told her in his letters, photos lied. They showed what a person looked like over a fraction of a second — not over long, slow minutes, which was what you’d take to study someone in real life. In that case, said Alicia, didn’t paintings lie also? They showed hours instead of minutes. It wasn’t Grandfather Leary she said this to, but the artist, an elderly Californian whose name Grandfather Leary had somehow got hold of. If the artist had had a reply, Macon couldn’t remember what it was.