The Best American Noir of the Century

“Are you Verise Sonnier from New Iberia?” I asked.

He grinned stiffly when he took the schooner of beer away from his mouth. “Why you want to know?” he said.

“I think I’m your son. I’m Billy Bob.”

His turquoise eyes wandered over my face, then they lost interest.

“I had a son. But you ain’t him. Buy me another shot?” he said.

“Why not?” I replied.

Sometimes he comes to me in my dreams, and I wonder if ironically all our stories were written on his skin back there in Texas City in 1947. Or maybe that’s just a poetic illusion purchased by time. But even in the middle of an Indian summer’s day, when the sugarcane is beaten with purple and gold light in the fields and the sun is both warm and cool on your skin at the same time, when I know that the earth is a fine place after all, I have to mourn just a moment for those people of years ago who lived lives they did not choose, who carried burdens that were not their own, whose invisible scars were as private as the scarlet beads of Sister Roberta’s rosary wrapped across the back of her small hand, as bright as drops of blood ringed round the souls of little people.

1993 HARLAN ELLISON MEFISTO IN ONYX